111 UMMA Objects
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This print is made up of overlaying photographs in a reddish-orange tint. Spots of red also overlap each other, and the photographs, and there is a large horizontal swath of a deeper red along the top. The print is editioned, signed and dated in pencil (l.r.) "31/36 RAUSCHENBERG 1962".
Robert Rauschenberg (American (North American))
Stunt Man III
1962
Gift of Mr. and Mrs. Samuel Sachs II
1964/1.88
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.86
The color photolithograph has a large bust of a male figure with long brown hair and a beard. The man is wearing a orange shirt with a blue shall. There is a halo in cream, red and green around the figure's head. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Jesus colour by numbers
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.28
This vertically oriented print shows a two color print in which the colors are out of register. There are three columns, the two outer columns are text and the inner column is images. 
Sir Eduardo Paolozzi (British (modern))
A single series, consisting of twenty choices
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.45
This print shows a truck with post-like things sticking out of the hood and a post attached to the roof. The color is off register. 
Sir Eduardo Paolozzi (British (modern))
The accident syndrome, the Genesis of injury
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.46

Sir Eduardo Paolozzi (British (modern))
Studies in human salvage
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.49
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This screenprint has a simple, graphic image of a folded piece of paper on a table. The folded paper outline with dark black lines and colored in a beige color. The table is similarly outlined and is colored white. The background is a bright red color. The print is inscribed by the artist in pencil (l.r.).
Patrick Caulfield (British (modern))
Watch me eat, without appetite, à la carte
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.2
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
An out-of-focus photograph of a woman’s arm and the pattern of her floral dress.  
Andy Warhol (American (North American))
Deeda Blair
1976 – 1977
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.34
A bust-length portrait of a woman. She is wearing a black dress and red lipstick, and has curly dark hair. She stands with her body turned to the side while she looks directly into the camera’s lens.
Andy Warhol (American (North American))
Shaindy Fenton
1977
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.18
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