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Between and Mortarboard


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Results for terms:Pop (fine arts styles)

111 UMMA Objects (page 1/10)
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This print shows several stacked registers of chain links.
Sir Eduardo Paolozzi (British (modern))
More power to everybody
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.42
This vertically oriented print shows a two color print in which the colors are out of register. There are three columns, the two outer columns are text and the inner column is images. 
Sir Eduardo Paolozzi (British (modern))
A single series, consisting of twenty choices
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.45
This print shows a truck with post-like things sticking out of the hood and a post attached to the roof. The color is off register. 
Sir Eduardo Paolozzi (British (modern))
The accident syndrome, the Genesis of injury
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.46

Sir Eduardo Paolozzi (British (modern))
Studies in human salvage
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.49
This dark maroon print shows a frontal, three-quarter view of a robotic female who looks off to the left. 
Sir Eduardo Paolozzi (British (modern))
Twenty Traumatic Twinges
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.48
Abstract shape rendered in Styrofoam that has been covered with modeling compound. Base with four columns, three of which have “pop dots” attached to them. Partially painted a bright minty green, which gets darker in the “back” of the sculpture (the side that doesn’t have dots).
Barbara Levine
Pop Dots
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.243

Sir Eduardo Paolozzi (British (modern))
The Ritual Mainspring of the Ares's Culture, from the portfolio "General Dynamic F.U.N. Volume II of Moonstrips Empire News"
1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.43
This print has a large panel in the center with a grid pattern in dark blue, orange, green and pink. It is bordered on the left and right by a grid of tiny dark blue dots on a light blue background and a vertical band of dark blue dashes. At the top, there are two rows of small dark blue squares on a light blue background, and a single dark blue band above it. At the base, there is text in light blue on a dark blue panel, which reads: "MEMORY MATRIX. MEMORY CAPACITY - The amount of information which a memory unit can store. See Capacity. MEMORY, CORE - See Core Memory. MEMORY CYCLE - An operating consisting of reading from and writing into memory. MEMORY DUMP - A process / of writing the contents of memory consecutively in such a form that it can be examined for computer or program errors. MEMORY, EXTERNAL - See External Memory. MEMORY FILL - Placing a pattern of characters in the memory registers not in use / in a particular problem, to stop the computer if the program, through error, seeks instructions take
Sir Eduardo Paolozzi (British (modern))
Memory Matrix
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.1
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
Sir Eduardo Paolozzi (British (modern))
No Heroes Developed
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.39
This photolithograph is in five colors: burgundy, red-brown, dark-orange, dark-olive, and grey. It shows a photograph of a race car driver in his car with the exhaust pipes at the center of the frame. On the left and below the image, there are a series of irregular squares in the afforementioned colors; they are in random order. 
Sir Eduardo Paolozzi (British (modern))
Synthetic Sirens in the Pink Light District
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.6
This print has three main images all printed in a monochromatic grey. At the top is an image of a man, in a tweed coat and fur hat, polishing a motorcycle. The scene is from a pier. The sign says "GANGWAY 1," with the ocean and the Statue of Liberty in the background. The central image is a detail of the face of the Statue of Liberty, with a small boy visible in her crown. The bottom image is more abstracted shapes from a dot-matrix image.
Sir Eduardo Paolozzi (British (modern))
Fifty Nine Varieties of Paradise
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.31
In this horizontally oriented print, we see a column of text on the left and an image of an elephant crushing a small car on the right. 
Sir Eduardo Paolozzi (British (modern))
Risk-taking as a function of the Situation
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.41
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