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48 UMMA Objects
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Albert Kahn (American (North American))
From Casts in the Trocaderok, Paris
05/15/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.464

Albert Kahn (American (North American))
Sketches in Cluny Museum, Paris
05/18/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.465

Albert Kahn (American (North American))
Sketches in Cluny Museum, Paris
1869 – 1942
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.475

Albert Kahn (American (North American))
In Trocadero Museum, Paris
06/13/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.478

Paul Signac
Paris, Les Ponts des Arts; or Boats on the Seine (Bateaux sur la Seine)
1927
Gift of Jean Paul Slusser
1962/2.25

Christo (American (North American);Bulgarian (culture or style))
Projet pour l'emballage de l'Arc de Triomphe
1935 – 1978
Gift of Graham and Marianne Smith
1978/2.43

Ralph Gibson (American (North American))
Window Washer, Paris, from "Artifacts"
1975
Gift of Mr. & Mrs. Sheldon Sobel
1985/2.95.3

Joan Valet
Vue du Pont-Neuf (from Les Deux Grandes Vues de Paris)
The Paul Leroy Grigaut Memorial Collection
1969/2.44

Henri Edmond Cross
Les Nourrices aux Champs-Elysées (The Nursemaids on the Champs-Elysées)
1898
Museum Purchase
1954/2.30
Photograph of the interior of a bar with a mirror and staircase behind.
Eugène Atget (French (culture or style))
Bar de Cabaret
1910 – 1974
Museum Purchase
1974/1.115
View of a park with a large tree in the foreground.
Eugène Atget (French (culture or style))
Environs of Paris
1922 – 1974
Museum Purchase
1974/1.123
Three women sit just inside the doorway of a building shown frontally to the viewer. The doorway is framed by windows on either side within an archietctural framework that connects the windows and door with a dado under the windows. The women have a large piece of fabric laid over their laps on which they are working. The woman at the left is angled so that she is looking into the room; the other two look out at the viewer. The profile of a fourth woman is visible in the central window on the left side of the door.
James Abbott McNeill Whistler (American (North American))
Carpet Menders, Paris
1897 – 1898
Bequest of Margaret Watson Parker
1954/1.408
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