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Between and Mortarboard


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Results for terms:Impressionism

14 UMMA Objects (page 1/2)
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Donald James Wynn
Bathroom
1980
Gift of Herbert Barrows
2000/2.290

Donald James Wynn
City in Autumn
1986
Gift of Herbert Barrows
2000/2.249

Kurt Badt
Flower Still Life
1925 – 1935
Gift of Marvin Eisenberg in honor of Rudolf and Mary Arnheim
2002/2.117

Frederick Carl Frieseke (American (North American))
Misty Morning on the Seine
1899
Bequest of John Beach Tillotson
1960/2.140
This watercolor on brown prepared board is vertically oriented. The piece<br />
is reputedly a view of a Parisian street (perhaps in the 8th arrondissement), and the perspective is as if the viewer is on the fourth floor of an adjacent<br />
building. The upper two-thirds of the piece show a building-lined street,<br />
curving gently to the left. The buildings are about six stories tall, and<br />
additional rooftops are barely visible in the distance. On the ground<br />
floor of the buildings, there are traces of people, shops, and cafés. In<br />
the bottom third of the work, the road dissolves, but forms suggesting a<br />
few people populate the space.
James Abbott McNeill Whistler (American (North American))
Street Scene, Paris [Rue Laffitte (?) ]
1883 – 1885
Bequest of Margaret Watson Parker
1955/1.91

Albert Joseph Moore (British (modern))
Figure of a Woman
1841 – 1893
Bequest of Margaret Watson Parker
1955/1.108

John Francis Murphy
The Willow Pond
1892
Bequest of Margaret Watson Parker
1955/1.81

Edouard Vuillard
Lucien Fabre
1868 – 1940
Museum Purchase
1955/1.73
This watercolor on Japan paper, mounted on board, is vertically oriented. The piece is very dark, with the forms barely visible and very abstract. The upper quarter of the piece is blue, white, and pink (presumably a morning sky). In the next quarter down is what appears to be a body of water reflecting the sky, which a city and hills on the fall side of the shore from the viewer. The lower half the work has abstract figures in brown and cream that appear to be on the shore. Compositionally, there is a zig-zag recession into space. The piece is surrounded by the white border of the board that it is mounted on.
James Abbott McNeill Whistler (American (North American))
Blue and Silver: Morning, Ajaccio
1901
Bequest of Margaret Watson Parker
1955/1.90

Richard L. Sears
Kitchen Things
1970
Gift of Herbert Barrows
2000/2.303

Frank Mura
Upton Lane, Sompting
1901 – 1910
Bequest of Margaret Watson Parker
1955/1.80
The painting depicts a solitary male figure standing along the shore. The thin layers of paint evoke a misty, overcast day with the figure standing perhaps on a tidal flat.
James Abbott McNeill Whistler (American (North American))
Sea and Rain
1865
Bequest of Margaret Watson Parker
1955/1.89
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