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Between and Mortarboard


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Results for terms:Eve

7 UMMA Objects (page 1/1)
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This engraving is a vertical format. Dominating the foreground are three figures on a slight hill with a large tree. In front of the tree is the corpse of Abel (a strong young man with flowing cloth around his waist) with his head in the shadows. Kneeling over him are Adam and Eve. Adam, a muscular older man with a white beard, clutches his hands together and leans toward his dead son. Eve, covered only from the waist down, throws her arms out in the air above her son and moves towards him on her knees. The tree behind them has a sturdy trunk that splits into three heavy branches and these limbs echo the placement of Eve's back and right arm. On the right is a road leading to a background scene.In the far background Cain and Abel are shown making offerings to God on altars, with Abel’s offering rising higher than Cain’s. In the middle ground along the road, Cain is shown raising a weapon to kill Abel. At the bottom of the work are four lines of text and a signature.<br />
Jan Saenredam;Abraham Bloemaert (Dutch (culture or style);Dutch (culture or style))
Adam and Eve Lamenting over the Corpse of Abel, plate 6 from History of the First Parents of Man, set of six prints
1604
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.3

Eugène Delacroix (French (culture or style))
Expulsion of Adam and Eve
1845 – 1855
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.67
This black and white print has a long vertical format showing two nude figures standing in front of a tree trunk. The female is holding an apple in each hand and has her left foot resting on a tablet with the letters HGB. Her face is turned to look at the figure behind her. This figure holds her shoulder  with one hand and with the other places a leafy branch in front of her genitalia. On the bottom left corner is a date 1519.
Hans Baldung Grien
Adam and Eve (Fall of Man)
1519
Museum Purchase
1959/2.91

Eric Gill
Eve
1926
Gift of Jean Paul Slusser
1959/1.134

Richard Lindner
How It All Began, from the portfolio "Dance of Life"
1973
Gift of Mr. Nick Nicolas.
1977/2.25
A group of figures at the left stand in a vaulted space under a cross. They look towards the lower right of the composition where a man holding a standard with a cross on top is bending forward and offering his hand to an old bearded man in an arched doorway. Above the doorway are several fantastical figures with beaked or animal heads and arms with claws. Signed in the block "AD", lower right, recto.
Albrecht Dürer
Christ in Limbo (The Harrowing of Hell) from "The Small Woodcut Passion"
1509 – 1511
Gift of Prof. Eugene and Mrs. Marie Glysson
2011/2.55
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