530 UMMA Objects
530 UMMA Objects
Albert Kahn (American (North American))
Munich
07/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.494
Albert Kahn (American (North American))
Mont Saint-Michel
10/13/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.580
Albert Kahn (American (North American))
An old affair to hold pots, etc. in an old kitchen of a farm house near Echterna
07/24/1891
Transferred from the College of Architecture and Design, 1972, Gift of the Family of Albert Kahn, through Dr. Edgar A. Kahn, Mrs. Barnett Malbin and Mrs. Martin L. Butzel
1972/2.525
Albert Kahn (American (North American))
Untitled
1911 – 1912
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.684
Albert Kahn (American (North American))
Rouen
10/28/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.696
Utagawa Toyokuni I (Japanese (culture or style))
Sode ga ura, the Bay of Sleeves, part of triptych
1790
Bequest of Margaret Watson Parker
1948/1.182
Albert Kahn (American (North American))
Untitled
1869 – 1942
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.666
Albert Kahn (American (North American))
In S. Apollinare in Classe Ravenna
1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.480
![One of a pair of doors that formed an arched entryway. In the upper two thirds of the door are opalescent square glass "coffers" in an arched composition that corresponds to the silhouette of the doors. The interior-facing side of the doors include curvilinear lead caming, inset with medium-sized beach stones, that frame the glass "coffers". The exterior-facing side of the doors has the "coffers" framed by patinated copper sheeting.](/media/W1siZiIsIjIwMjIvMDUvMjUvOWRyNjdsMHM5dF9kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMjQweDIwMCJdXQ?sha=bbb53c2bc73eb982 "One of a pair of doors that formed an arched entryway. In the upper two thirds of the door are opalescent square glass "coffers" in an arched composition that corresponds to the silhouette of the doors. The interior-facing side of the doors include curvilinear lead caming, inset with medium-sized beach stones, that frame the glass "coffers". The exterior-facing side of the doors has the "coffers" framed by patinated copper sheeting.")
Louis Comfort Tiffany
Front door to the Henry O. Havemeyer house, New York (one of a pair)
1890 – 1891
University Purchase 1930, Transferred to the Museum of Art
1986.146.3A
Johann Pintz
Porcelain Room at Pommersfelden
1723 – 1733
The Paul Leroy Grigaut Memorial Collection
1969/2.129
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