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Results for terms:Abstract Expressionist

50 UMMA Objects (page 1/5)
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Grace Hartigan
Notions
1990
Bequest of Gertrude Kasle
2016/2.91
Abstract print of green, grey, tan and white.
Walter Darby Bannard
Prairie
1971
Gift of Leslie Feely
2014/2.362
A mass of small, colorful brush strokes.
Robert Goodnough (American (North American))
Untitled
1975
Gift of Gertrude Kasle
2011/1.60
Enamel abstract expressionist painting in traditional Valentine’s Day colors: white, orange, red, magenta, salmon.<br />“In place of the brush and other typical painter's tools, Clough uses an instrument he calls the ‘Big Finger,’ a large balloon-like contraption that he invented to spread poured house enamel on masonite into broad gestural constellations.” (Max Henry, “charles clough,” http://www.artnet.com/magazine_pre2000/reviews/henry/henry2-5-99.asp)
Charles Clough
February Fourteenth
1986 – 1989
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.227
Colored lithograph using Ben Day dots in blue to depict an abstract seascape.
Roy Lichtenstein (American (North American))
Seascape (I), from the portfolio "New York Ten" (C.34)
1964 – 1965
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.128
Abstract expressionist painting in pink, black, green and ivory, with squares pressed into the paint while wet to make an impression.
Michael Goldberg
Untitled
1986
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.230
An abstract print featuring two black undefined lines crossing the top and bottom connected by another undefined line which extends to the edge of the left side.
Robert Motherwell (American (North American))
Africa 1
1970
Bequest of Gertrude Kasle
2016/2.105
Anstract print with aggressive lines in black, yellow, green, grey and white.
Artist Unknown
Untitled
1960
Gift of Professor Walter M. and Nesta R. Spink
2014/2.205
Abstract painting composed of long broad brushstrokes in black and white with a small area of red in the upper left quadrant.
Franz Kline
Untitled
1961
Bequest of W. Hawkins Ferry
1988/1.136
High-gloss abstract expressionist painting of a large Africa-shaped form in red against black ground. Clough’s unique way of applying paint to the canvas results in a highly articulated and densely textured surface. “In place of the brush and other typical painter's tools, Clough uses an instrument he calls the ‘Big Finger,’ a large balloon-like contraption that he invented to spread poured house enamel on masonite into broad gestural constellations.” (Max Henry, “charles clough,” http://www.artnet.com/magazine_pre2000/reviews/henry/henry2-5-99.asp)
Charles Clough
Redoubt
1990
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.225
A tan board with a tall strip of cream-colored paper on the viewer's left and a shorter blue rectangle on the viewer's right. 
Robert Motherwell (American (North American))
Summertime with Blue
07/28/1974
Bequest of Gertrude Kasle
2016/2.104
This is an abstract print in black and light blue. With very little border, the print consists of a series of diagonal lines primarily, reaching from top right to bottom left. There are also horizontal black lines towrds the top and bottom of the image.
Cy Twombly (American (North American))
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.131
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