416 UMMA Objects
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This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3

Garo Zareh Antreasian
Untitled
1962
Museum Purchase
1964/1.116
This print is made up of overlaying photographs in a reddish-orange tint. Spots of red also overlap each other, and the photographs, and there is a large horizontal swath of a deeper red along the top. The print is editioned, signed and dated in pencil (l.r.) &quot;31/36 RAUSCHENBERG 1962&quot;.
Robert Rauschenberg (American (North American))
Stunt Man III
1962
Gift of Mr. and Mrs. Samuel Sachs II
1964/1.88
This abstract composition of layered geometric shapes shows a large yellow rectangle on the left and a black rectangle on the right forming the base/background layer. On top of them is another yellow rectangle of a slightly darker shade and a thin rectangular box to the right. One horizontal rectangle divides the top third of the composition.
El Lissitzky (Russian (culture or style))
From Proun
1923
The Paul Leroy Grigaut Memorial Collection
1969/2.55
The background of this print is covered with whitish paint or gesso that reveals the texture of the canvas, brush, and its application. Where material has been applied to the canvas there are small wrinkles. Dashes of black paint appear on the lower two thirds of the collage. What looks like a signature is in the bottom left.
Chuang Che
Homage
Gift from the Collection of Patricia O'Connor
2010/2.32
This print has a white background with a pattern of bright yellow dots covering its surface. Yellow lines and shapes are formed in areas where the dots overlap or merge.
Roy Lichtenstein (American (North American))
Haystack #1, from "Haystack Series R L 69-231"
1969
Gift of Dr. Seymour and Barbara K. Adelson
2010/2.38
An abstract oil painting, similar to a blank canvas.
David Shapiro
The Locket
1971
Gift in honor of Dr. E. Bryce and Harriet Alpern, by their children
2011/1.86
An abstract print of six red rectangluar shapes
Josef Albers (American (North American))
I-S Va 2 (Six Variants)
1969
Gift of Dr. Seymour and Barbara K. Adelson
2011/1.117
A vertical line of pills from the top of the canvas to the bottom. Stamped with information on the lower right indicating date, title, type of pills and signature.
Buky Schwartz (Israeli)
Relax
1971 – 1972
Gift in honor of Dr. E. Bryce and Harriet Alpern, by their children
2012/1.222
This color lithograph depicts the front facade of a blue house, with a tower-like element in the center sporting a white pyramid hip roof. At the right, there is a gate with the large canopy of green visible just beyond. 
Emilio Sanchez
La Casita Azul
1978 – 1988
Gift of the Emilio Sanchez Foundation
2011/2.72
This square screenprint is a color study in green and blue. There are three squares all nestled within eachother, green, turquoise and blue.
Josef Albers (American (North American))
3 square blue/green #121/125
1969
Gift of Dr. Seymour and Barbara K. Adelson
2012/2.3
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