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Between and Mortarboard

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29 UMMA Objects
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View of a partially loaded truck, featuring a bureau mirror that reflects stacked chairs and furniture prepared for moving.  
Walker Evans (American (North American))
Moving Truck and Bureau Mirror
1929
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
1990/2.47
An abstract painting of blood in a sunburst pattern.
Jordan Eagles
TSBC3
2011
Gift of Lillian Montalto and Robert M. Bohlen
2011/2.1
Oblique view of a warehouse building with open shutters.
Berenice Abbott (American (North American))
Warehouse, Water and Dock Streets, Brooklyn
1936
Museum Purchase made possible by the Friends of the Museum of Art
1971/2.137
A small, thin silver disk. In the center are seven convex circular protrusions (one in the center surrounded symmetrically by the six others) that appear like balls set within individual depressions. There are other less uniform depressions surrounding the center design. An incised line runs around the circumference.
Marcel Duchamp
Marcel Duchamp Art Medal 28/100, based on Sink Stopper (Bouche Évier), 1964
1967
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.122

Josef Brandt
Polish Market
1841 – 1914
Gift of George and Brigitte Muller of Ann Arbor, Michigan, in memory of Henri and Anne Muller
1987/2.10

Jane C. Stanley
Vegetable Market by San Giacometto di Rialto, Venice
1863 – 1940
Bequest of Margaret Watson Parker
1954/1.181
This vertical piece has a color photograph on the bottom showing people walking along a city street. Above are comic-strip-style illustrations in black acrylic on white paper, within five frames.  The middle bottom frame of different style than the others. The title "Crocodile Tears: Buried Treasure" appears at the top, and the whole work is mounted and framed.
Douglas Heubler (American (North American))
Crocodile Tears: Buried Treasure (De Chirico V)
1990
Museum purchase made possible by the W. Hawkins Ferry Fund
2008/1.160.1
Three gondolas in the foreground are in a river, steering toward a bridge on the right side of the scene. Two figures are steering in the foremost, center gondola, of which only a section can be seen. In the middle ground is a group of buildings, with a cluster of trees on the left. In the background, a cathedral rises up in the center left. The cathedral is created with much lighter lines, and blends in to the background.
Auguste Louis Lepère (French (culture or style))
Marché aux Légumes, Amiens (The Vegetable Market)
1907
Gift of Mr. James Shearer II
1967/2.44

Ferdinand Schmutzer
Flower Market
1870 – 1928
Gift of Mr. and Mrs. Benjamin W. Wheeler
1956/2.9
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Diego Rivera (Mexican)
El Mercado
1930
Museum Purchase
1950/1.172
This painting has a series of flat, colorful, overlapping geometric and biomorphic abstract forms in greens, yellows, purple, reds, black, grey, and white. The painting is signed in black (l.l.) "herbin".
Auguste Herbin (French (culture or style))
Composition
1927
Gift of Mr. and Mrs. Harry L. Winston
1955/2.10
Square panel consisting of intersecting light brown lines and dark brown chevrons to form a diamond pattern grid. The edges of the panel are hemmed. 
Kuba (Kuba (Democratic Republic of Congo style))
Raffia Textile Panel
1965 – 1975
Museum purchase made possible by the Alfred E. Pernt Memorial Fund in honor of Doctor of Technical Sciences Max H. J. Pernt and his wife Anna Pernt (née Mueller)
1986/2.105
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