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UMMA Gallery Location ➜ AMH, 1st floor ➜ 101 (Entrance Hall)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 109 (Lizzie and Jonathan Tisch Apse)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 115 (ArtGym)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 200 (A. Alfred Taubman Gallery I)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 201 (Tiffany: Between Taubman I doors)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 211 (Tiffany: Between Tiffany Doors and FFW Connector)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 212 (A. Alfred Taubman Gallery II)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 213 (The Robert and Lillian Montalto Bohlen Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 216 (Japanese Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 217 (Gallery of South, Southeast and Central Asian Art)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 218 (Eleanor Noyes Crumpacker)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 219 (Elevator Landing-Administration Hallway)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 221 (Director's Office)
UMMA Gallery Location ➜ FFW, Lower Level ➜ 053 (Education Center Display Cabinets)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M01 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M02 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M04 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M05 (Jan and David Brandon Family Bridge)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M06 (Shirley Chang Gallery of Chinese Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M07 (Woon-hyung Lee and Korea Foundation Gallery of Korean Art)
UMMA Gallery Location ➜ FFW, Stairways ➜ S08 (Stair 8)
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Qiu Ying
Peach Blossom Spring
ink and color on gold paper
8 ⅛ in x 21 9/16 in (20.64 cm x 54.77 cm);22 1/16 in x 28 1/16 in (56.04 cm x 71.28 cm);13 ⅛ in x 23 4/5 in (33.34 cm x 60.48 cm);8 ⅛ in x 21 9/16 in (20.64 cm x 54.77 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
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Qi Baishi
Plum Blossoms and Bird
ink on paper
83 in x 21 ½ in (210.82 cm x 54.61 cm)
Gift of Katsuizumi Sotokichi
Zoom
Gong Xian (Kung Hsien)
A Picture of the Mountain Dwelling
Hanging scroll, ink on silk
4 ft. 5 3/4 in. x 19 5/16 in. (136.5 x 49 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
Zoom
Chinese
Returning Herder and Water Buffalo, After Rain
ink on silk
8 13/16 in x 9 1/2 in (22.38 cm x 24.13 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
Zoom
Ki Baitei
Winter Rider
hanging scroll, ink and color on paper
52 1/8 in x 22 1/2 in (132.4 cm x 57.1 cm);2 3/4 in x 27 3/8 in x 2 3/4 in (7 cm x 69.5 cm x 7 cm)
Museum Purchase
Zoom
Nagasawa Rosetsu
Monkey Seated on a Wisteria Branch
hanging scroll, ink and color on silk
30 7/16 in. x 13 1/8 in. ( 77.3 cm x 33.3 cm )
Museum purchase made possible by the Friends of the Museum of Art
Zoom
Kitagawa Utamaro
Courtesan in procession
ink, white pigment, and red color on paper
33 3/4 in x 10 9/16 in (85.7 cm x 26.8 cm);33 15/16 in x 10 1/2 in (86.2 cm x 26.7 cm);x 17 1/8 in x 43.5 cm;4 7/16 in x 19 7/8 in x 4 7/16 in (11.2 cm x 50.5 cm x 11.2 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
Zoom
Yagi Kazuo
Ceramic Sculpture
stoneware
7 1/2 in. x 32 1/16 in. x 2 9/16 in. ( 19 cm x 81.5 cm x 6.5 cm )
Museum Purchase
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Katō Takuo
White celadon bowl with incised diamond pattern
Porcelain with white celadon glaze
11 in x 14 15/16 in x 15 ¼ in (27.94 cm x 37.94 cm x 38.74 cm);11 in x 14 15/16 in x 15 ¼ in (27.94 cm x 37.94 cm x 38.74 cm)
Museum Purchase
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Hamada Shōji
Bowl with tenmoku glaze and floral roundels
stoneware with tenmoku glaze with wax resist floral roundels
5 7/8 x 22 1/4 x 22 1/4 in. (14.92 x 56.52 x 56.52 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
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10 Collection Object Sources
Peach Blossom Spring
(1976/1.212)
Plum Blossoms and Bird
(1949/1.192)
A Picture of the Mountain Dwelling
(1999/1.98)
Returning Herder and Water Buffalo, After Rain
(1965/2.70)
Winter Rider
(1973/2.76)
Monkey Seated on a Wisteria Branch
(1986/1.166)
Courtesan in procession
(1962/1.104)
Ceramic Sculpture
(1963/2.73)
White celadon bowl with incised diamond pattern
(1963/2.68)
Bowl with tenmoku glaze and floral roundels
(1964/1.81)
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Created by
Robert Jerome Morrissey
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May 24, 2022 11:21 a.m.
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![The "painting richly evokes a darkly overcast day with a rider wearing a straw raincoat accompanied by a man on foot carrying luggage. The horse seems delighted as its hooves sink into the thick snow on the path. Large daubs of white pigment are used to represent the falling snow called <em>botan</em><em> </em><em>yuki"</em><br />
<br />
<b id="docs-internal-guid-ecb68b88-7fff-cddd-9168-660eb3400d03">Adams, Celeste, and Paul Berry. <em>Heart, Mountains, and Human Ways: Japanese Landscape and Figure Painting: a Loan Exhibition from the University of Michigan Museum of Art.</em> Museum of Fine Arts, 1983.</b><br />
](/media/W1siZiIsIjIwMjIvMDUvMjUvOXFpdnhsNnZ3dl9kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMTAwMHgxMDAwIl1d?sha=42021c1356cadebc "The "painting richly evokes a darkly overcast day with a rider wearing a straw raincoat accompanied by a man on foot carrying luggage. The horse seems delighted as its hooves sink into the thick snow on the path. Large daubs of white pigment are used to represent the falling snow called <em>botan</em><em> </em><em>yuki"</em><br />
<br />
<b id=\"docs-internal-guid-ecb68b88-7fff-cddd-9168-660eb3400d03\">Adams, Celeste, and Paul Berry. <em>Heart, Mountains, and Human Ways: Japanese Landscape and Figure Painting: a Loan Exhibition from the University of Michigan Museum of Art.</em> Museum of Fine Arts, 1983.</b><br />
")
!["Rosetsu uses the wisteria tree to frame the painting and to create two separate planes, the foreground and the background. While doing this, he does not paint a very prominent background, thus making the foreground landscape more important and the focal point of the painting...The sinewy shape of the wisteria dominates the painting. There appear to be two separate trunks rooted to a small sliver of land pictured at the left side of the image. These trunks merge into one stem, forming a curve that snugly holds the monkey’s body. The branch continues upward, disappearing at one point until it reappears, winding around the right side of the painting. Rosetsu uses a dark ink to create the trunk and branches of the wisteria, and there does not appear to be any indication of shading or altering the color to appear lighter. This darkening is especially noticeable compared to the stark, white flowers at the top of the painting. Their stems are soft and wispy, as if they are floating in the air."<br /](/media/W1siZiIsIjIwMjIvMDUvMjUvNmkwdGlxNHByYl9kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMTAwMHgxMDAwIl1d?sha=3d263f9f3b89c3a5 ""Rosetsu uses the wisteria tree to frame the painting and to create two separate planes, the foreground and the background. While doing this, he does not paint a very prominent background, thus making the foreground landscape more important and the focal point of the painting...The sinewy shape of the wisteria dominates the painting. There appear to be two separate trunks rooted to a small sliver of land pictured at the left side of the image. These trunks merge into one stem, forming a curve that snugly holds the monkey’s body. The branch continues upward, disappearing at one point until it reappears, winding around the right side of the painting. Rosetsu uses a dark ink to create the trunk and branches of the wisteria, and there does not appear to be any indication of shading or altering the color to appear lighter. This darkening is especially noticeable compared to the stark, white flowers at the top of the painting. Their stems are soft and wispy, as if they are floating in the air."<br /")
