Miller English 285 Winter 22

This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground.  Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
1990
dye destruction print | paper
Gift of Beverly Baker in memory of Morris D. Baker
2004/1.106
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
1985
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, padlock | plywood

2004/1.153
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
1937
lithograph | paper
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
Doug Webb
Liberty Renewed
1980 – 1990
serigraph | paper
Gift of Jack A. and Noreen Rounick
2004/2.43
A black and white photograph of four people lying on the ground. One person's face is covered by an American flag, while the man behind her has his face covered by a hat. The group appears to be asleep. The feet and shoes of other people standing around the group of four is visible in the background. The print is signed (l.r.) "Edward Roberson" in pen.
Edward (Robbie) Roberson
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
1963
inkjet print | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.28
Elliott Erwitt
Pennsylvania Dutch and Adidas, Santa Cruz, U.S.A., from "Recent Developments"
1975
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.175.5
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
A view of steerage passengers gathered on two decks of a steamship. 
Alfred Stieglitz
The Steerage
1907 – 1915
photogravure | paper
Museum purchase made possible by a gift from Helmut Stern
1995/2.23
Image of a book lying open to a page featuring a painting of men in brightly colored robes with their backs to the artist. A newsclipping featuring a photo of people in an over-crowded boat lies on the book across the open page.  
Joanne Leonard
Men in Boats: Immigration
inkjet print on paper
24 in x 36 in (60.96 cm x 91.44 cm);20 3/4 in x 31 in (52.71 cm x 78.74 cm)
Gift of the artist
Text: Mine More Coal - United States Fuel Administration - Stand by the boys in the trenches! - (Italian) Sostenete i soldati nelle trincee! Estraete Sempre Piu' Carbone! - (Croatian) Pomogni nasoj mladosti u rovovima! Kopaj Vise Ugljevlja! - (Slovenian) Podpiraj vojake v strelnih jarkih! Koplji Vec Premoga! - (Polish) Wspomagajcie wiernie tych ktorzy sa na linii bojowej! Starajcie Sie Powiekszyc Produkcje Wegla! - (Hungarian) Segitse a fiukat a lövészarokban! Aknázzon Több Szenet! - (German) Unterstuetzt die Jungen in den Schuetzengraeben! Foerdert Mehr Kohle!
Artist Unknown
Mine More Coal - United States Fuel Administration - Stand by the boys in the trenches!
1913 – 1923
color lithograph | paper
Gift of Mr. Maurice F. Lyons
1954/2.35.140
Photocollage featuring two handwritten letters and six black and white photo portraits. The background is black with handwritten text bordered by blue and white designs snaking across the entire surface. 
Joanne Leonard
The Personal is the Political
1985 – 1995
gelatin silver print | paper, board
Gift of the artist
2016/2.182
This print has three main images all printed in a monochromatic grey. At the top is an image of a man, in a tweed coat and fur hat, polishing a motorcycle. The scene is from a pier. The sign says "GANGWAY 1," with the ocean and the Statue of Liberty in the background. The central image is a detail of the face of the Statue of Liberty, with a small boy visible in her crown. The bottom image is more abstracted shapes from a dot-matrix image.
Sir Eduardo Paolozzi
Fifty Nine Varieties of Paradise
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.31

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