Obi

Accession Number
2013/2.378

Title
Obi

Artist(s)
Japanese

Artist Nationality
Japanese (culture or style)

Object Creation Date
20th century

Medium & Support
silk, brocade

Dimensions
12 1/2 in x 156 in (31.75 cm x 396.24 cm)

Credit Line
Gift of Howard and Patricia Yamaguchi

Subject matter

This is a Nishiji, Nishiki,  and Maru Obi in Zentsuu Gara

The majority of the patterning consists of Fundo Tsunagi Mon (lined Fundo Weight motifs) with interwoven cloud and centered paulownia motifs. On either side of the paulownia lie interwoven dark beige eight pointed petaled flowers (hachiryoumon) with a red, gold, maroon, dark beige, and white dragon.

Nishijin-ori textiles were developed in the Nishijin area of Kyoto city and has dominated the production of high-quality woven textiles since the fifteenth century. Nishiki is a type of vibrant silk brocade with vivid and luxurious images using various colorful  and metallic (mainly gold and silver). Nishiki brocade is mainly produced in the Nishijin area of Kyoto. Maru obi are the most formal type of obi, having elaborate patterned brocade or tapestry on both sides, typically decorated with rich gold thread. It was most popular during the Meiji (1867-1912) and Taisho period (1912-1925). Gara refers to the orientation, arrangement, and surface area of the patterns and pertains to a specific trend and obi tying style. In the Zentsuu gara type, the obi is entirely covered with designs, patterns, and motifs. The versatility of this patterning allows for a variety of obi tying styles.



Physical Description

Red Maru (double sided) Obi with interwoven gold and Maroon patterns and motifs.



Primary Object Classification
Costume and Costume Accessories

Primary Object Type
obi

Collection Area
Asian

Rights
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Keywords
Kyoto
Meiji
Taisho
obis
silk (silkworm material)

& Author Notes

All Rights Reserved