C2 - Fairchild - Metaphysics (checklist draft 1)

This small sculpture is made from crumpled paper and aluminum foil coated in resin. One end of the sculpture is blue, the other a brown-red, and the center is silver.  Pieces of paper which look like newsprint are stuck to the bottom of the sculpture. The piece is deceptively light.
John A. Chamberlain
Untitled
paper, aluminum foil, glue, and painted resin
4 5/8 in x 7 1/2 in x 5 1/8 in (11.75 cm x 19.05 cm x 13.02 cm);8 7/16 in x 10 1/4 in x 10 1/4 in (21.43 cm x 26.04 cm x 26.04 cm)
Gift of the Lannan Foundation in Honor of the Pelham Family
This print shows a blue, black and white form printed on transparent plastic.  The form is roughly ball-shaped, looking like a piece of crumpled paper.  There are faint traces of text in the middle of the form and towards the left side.
John A. Chamberlain
Untitled
lithograph on mylar
9 in x 12 in (22.9 cm x 30.5 cm)
Gift of Mr. Robert Rauschenberg
Twelve identical cubes and twelve identical cylinders of gold-plated steel. They are rearrangeable.
Judy Chicago
Cubes and Cylinders
milled steel, gold-plating
1 1/2 in. x 1 1/2 in. x 1 1/2 in. ( 3.81 cm x 3.81 cm x 3.81 cm )
Gift of the Lannan Foundation in Honor of the Pelham Family
This vertically oriented print is divided equally into two halves. The upper half is solid black, the lower half is solid white.
Ellsworth Kelly
Untitled
silkscreen on paper
12 in x 9 in (30.5 cm x 22.9 cm);19 3/8 in x 14 3/8 in (49.2 cm x 36.5 cm)
Gift of Mr. Robert Rauschenberg
The mouth is straight. The side is gently curved to the bottom. The foot is hgh and narrow. It was repaired.<br />
<br />
Produced between the 15th and 16th century at a privately owned kiln in the southwestern region of Gyeongsangnam-do, this bowl has been restored following breakage into ten pieces. Its rim curves inwards. It is made with stoneware clay. There are five spur marks on the inner base, and the glaze on the rim of its foot has been wiped away. It is coated with opaque white glaze, on which have formed many crackles and pinholes. The color of glaze is not even throughout the surface. Vessels of this type were popular in Japan as tea bowls (茶碗, Jap. chawan).<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.160]
Korean
Deep footed bowl
stoneware with crackled creamy white glaze, gold repairs
3 3/16 x 5 9/16 x 5 9/16 in. (8 x 14 x 14 cm)
Transfer from the College of Architecture and Design
This shallow conical bowl on a straight footring is covered in a pale blue opaque glaze, the interior is moon-white and the exterior, sky blue. There is a copper reddish-purple splash to the interior and two gold repairs along the rim and side.
Chinese
Bowl
stoneware with glaze, and gold lacquer
3 5/8 in x 8 1/8 in x 8 1/8 in (9.2 cm x 20.6 cm x 20.6 cm)
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Memorial Collection
Hatakeyama Norie
Endless Line Series II 6 Holes
paper lash
13 3/4 in. x 13 3/4 in. x 13 3/4 in. ( 35 cm x 35 cm x 35 cm )
Gift of Drs. Joan and Bernard Chodorkoff
This glass sculpture is a large oval encasing a smaller pale peach oval which encases another smaller, darker peach oval like bubbles within bubbles. 
Dominick Labino
Emergence XIV
glass
11 1/8 in (28.3 cm)
Gift of Mr. and Mrs. Walter E. Simmons in honor of Charles H. Sawyer
Copper plate used for short wave transmitter process.
Paul Seide
Biomorphic Series
blown glass, neon, short wave transmitter on copper plate
18 in. x 18 in. ( 45.72 cm x 45.72 cm )
Gift of J. Ira and Nicki Harris
The number &quot;3&quot; in orange in a blue circle with a green background; the word &quot;THREE&quot; written bottom center.
Robert Indiana
Number 3, from "Numbers"
silkscreen on paper
25 ⅜ in x 19 ⅝ in (64.45 cm x 49.85 cm);32 in x 26 in (81.28 cm x 66.04 cm)
Gift of Mr. Nick S. Nicolas.
Sol LeWitt
Yellow - Blue, from "Sixteen Lithographs in Color"
lithograph on Italia paper
23 in x 23 in (58.4 cm x 58.4 cm);24 in x 24 in (60.96 cm x 60.96 cm);23 in x 23 in (58.4 cm x 58.4 cm);14 in x 14 in (35.56 cm x 35.56 cm)
Museum Purchase made possible by the Friends of the Museum of Art

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June 16, 2020 2:51 p.m.

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