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Between and Mortarboard


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F18 Settles - AAS 358 / PSYCH 390 - Psychology of the Black Experience

Howard Bingham
Cleveland, from "Detroit Focus 2000"
1975
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.5
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.2
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.4
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.5
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.3
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
2002 – 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3
A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Danny Lyon
John Lewis in Cairo, from "Memories of the Southern Civil Rights Movement"
1962 – 2010
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.319
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
1974
screenprint | paper
Gift of Dr. James and Vivian Curtis
1997/1.532
Prentiss Taylor
Macedonia A.M.E.
1934
lithograph | paper
Courtesy of the Fine Arts Program, Public Buildings Service, U.S. General Services Administration Commissioned through the New Deal art projects;Courtesy of the Fine Arts Collection, U.S. General Services Administration, New Deal art project
1935.14
Black and white image of a man and woman seated on a sofa. The woman is holding the man's left hand.
Joanne Leonard
Barbara Slider and Leo Reed (Soon to be Married)
1955 – 1965
gelatin silver print | paper
Gift of the artist
2016/2.180
Black and white image of a marriage ceremony with the bride and groom sitting beneath a decorated archway. 
Joanne Leonard
Ruth Ester’s Wedding Party in Garden
1970
gelatin silver print | paper
Gift of the artist
2016/2.173

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Last Updated

October 9, 2018 1:54 p.m.

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