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Between and Mortarboard


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F18 Reed and Gant - SW 510 - Critical Intersectionality and Social Work Practice

Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
lithograph on paper
14 9/16 in x 18 7/16 in (36.99 cm x 46.83 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
Tyree Guyton
Untitled (Paint Cans)
paint cans, wooden crate, American flag, rearview mirror, and ceramic figurine
33 1/2 in x 28 1/8 in x 12 in (85.09 cm x 71.44 cm x 30.48 cm)
Gift of H. David Zucca
Edward (Robbie) Roberson
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
inkjet print on paper
11 in x 14 in (27.94 cm x 35.56 cm)
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Andy Warhol
Birmingham Race Riot
screenprint on paper
20 1/16 in x 24 1/16 in (50.96 cm x 61.12 cm);26 1/8 in x 32 1/16 in (66.36 cm x 81.44 cm)
Gift of Graham and Marianne Smith
Leonard Freed
A police officer at his post during the filming of a movie. There is a growing “police cult”; aficionados wear the odds and ends of uniforms, swagger along the street with handcuffs, keys and whistles dangling from their belts.
vintage gelatin silver print on paper
8 x 10 in. ( 20.32 x 25.4 cm )
Gift of Thomas Wilson '79 and Jill Garling '80
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
cyanotype on paper
15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm);15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm)
Museum Purchase made possible by the Harry Denham Trust
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
colored crayons on paper
24 in x 18 in (60.96 cm x 45.72 cm);24 in x 18 in (60.96 cm x 45.72 cm);28 in x 23 in (71.12 cm x 58.42 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
Jacob Lawrence
Builders (The Family)
screenprint on paper
34 in x 25 3/4 in (86.36 cm x 65.41 cm);29 15/16 in x 22 1/8 in (76.04 cm x 56.2 cm);38 3/4 in x 28 in (98.43 cm x 71.12 cm)
Gift of Dr. James and Vivian Curtis
Shelby Lee Adams
Lincoln, Maw and Shorty
gelatin silver print on paper
11 in x 14 in (27.94 cm x 35.56 cm)
Gift from the Collection of David S. Rosen MD, MPH
Howard Bingham
Cleveland, from "Detroit Focus 2000"
black and white photograph on paper
14 in. x 11 in. ( 35.5 cm x 27.9 cm )
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
Russell Limbach
Reviewing Stand, from "The American Scene, Series 2"
lithograph on paper
9 15/16 in x 14 5/16 in (25.24 cm x 36.35 cm)
Museum Purchase
Rodney Alan Greenblat
Christina's World
screenprint on paper
48 in x 38 3/4 in (121.92 cm x 98.43 cm);48 in x 38 3/4 in (121.92 cm x 98.43 cm)
Gift of Jack A. and Noreen Rounick

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Last Updated

February 26, 2020 10:32 a.m.

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