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Between and Mortarboard


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F18 Reed and Gant - SW 510 - Critical Intersectionality and Social Work Practice

Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
1937
lithograph | paper
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
A "Norton Abrasives" wooden crate is filled with empty rusted gallon paint containers with dried paint inside. A cracked rearview mirror is attached to one side and an American flag is smushed into one side of the box. A small toy platypus sits inside one of the paint cans, although the platypus is moveable; instructions to museum state that museum staff can place platypus where they please.
Tyree Guyton
Untitled (Paint Cans)
1980 – 2010
paint cans, wooden crate, American flag, rearview mirror, ceramic |
Gift of H. David Zucca
2013/2.310
A black and white photograph of four people lying on the ground. One person's face is covered by an American flag, while the man behind her has his face covered by a hat. The group appears to be asleep. The feet and shoes of other people standing around the group of four is visible in the background. The print is signed (l.r.) "Edward Roberson" in pen.
Edward (Robbie) Roberson
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
1963
inkjet print | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.28
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Andy Warhol
Birmingham Race Riot
1964
screenprint | paper
Gift of Graham and Marianne Smith
1986/1.194.5
An actual police officer looking at the camera and an actor playing a police officer walking behind him.
Leonard Freed
A police officer at his post during the filming of a movie. There is a growing “police cult”; aficionados wear the odds and ends of uniforms, swagger along the street with handcuffs, keys and whistles dangling from their belts.
1976
vintage gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.338
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
2000
cyanotype | paper
Museum Purchase made possible by the Harry Denham Trust
2003/1.379
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
1981
colored crayons | paper
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
1985/2.18
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
1974
screenprint | paper
Gift of Dr. James and Vivian Curtis
1997/1.532
A portrait of two men and a dog. The man on the left is wearing a hat and white shirt; he has a large moustache. The older man to the right is wearing a plaid button down shirt.
Shelby Lee Adams
Lincoln, Maw and Shorty
1992
gelatin silver print | paper
Gift from the Collection of David S. Rosen MD, MPH
2013/2.86
Howard Bingham
Cleveland, from "Detroit Focus 2000"
1975
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.5
Russell Limbach
Reviewing Stand, from "The American Scene, Series 2"
1904 – 1935
lithograph | paper
Museum Purchase
1935.26
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42

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Last Updated

August 14, 2018 3:21 p.m.

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