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Su18 Vorissis - COMPLIT 122 - Golden State(s): Representations of California in Literature, Film, and Television

Max Yavno
Muscle Beach
1949
gelatin silver print | paper
Museum Purchase
1976/2.17
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
Elliott Erwitt
Pennsylvania Dutch and Adidas, Santa Cruz, U.S.A., from "Recent Developments"
1975
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.175.5
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.
Anton Refregier
Study of a Man's Head for "History of California"
1936 – 1948
graphite | paper
1951/2.21
This is a black and white photograph showing a rocky outcropping with boulders and brush vegetation set agains a hazy scene of buildings and roads below. On the right are the rooftops of houses clustered at the base of the hillside and on the left are a group of laid foundations for a housing development. In the distance below are roads and buildings.
Joe Deal
Colton, California, from "The Fault Zone"
1978
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.18
;
David Chun
Chinese Shrimp Camp
1939
lithograph | paper
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.17
The photograph depicts a river lined with snow-covered banks and pine trees and a snow-capped mountain rising in the distance.  
Ansel Adams
Half Dome, Merced River, Winter, Yosemite Valley, California
1938
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1987/1.171
A black-and-white image of a man and woman sitting on a strip of grass which separates the dirt road on the right from the water on the left. A fishing pole extends up and to the left. The man looks upward and the woman stares off to her left.
Peter Turnley
San Joaquin Valley, California, USA, 1975
1975
archival pigment print | paper
Gift of David and Jennifer Kieselstein
2016/2.510
Black and white image of powerlines and two lit streetlights at night. 
Dean Brierly
Third Street Bridge, Los Angeles
1995
photograph | paper
Gift of Eeta Gershow
2016/2.10
Max Yavno
Cable Car, San Francisco, California
1947
gelatin silver print | paper
Museum Purchase
1976/2.16
Image of a pool of a reflective surface. A swath of green and orange juts up from the lower left corner.
Glenn Rand
La Brea
2008
archival particle print | paper
Gift of the artist
2017/2.191
This photograph depicts an aerial view of an earth work of a human figure encased by the shape of a pentagon.
Marilyn Bridges
Ha-ak, Blythe Site #1, Blythe, CA
1982
gelatin silver print | paper
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.10

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Last Updated

July 2, 2018 3:06 p.m.

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