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Su17 DeLeon - SAC 376 - New Media Theory

This black and white stereoscopic image features two images of a man looking at a stereoscope image in a library with his finger in a book and a map of Rome on a table.  It is surrounded by the text: Set No. 8; Underwood & Underwood, Publishers, Unique; 10061—Traveling by the Underwood Travel System—Stereographs, Guide Books, Patent Map System.
Stereo Classics Studio
Stereoscope Image, Set No. 8: Traveling by the Underwood Travel System, Stereographs, Guide Books, Patent Map System
1978
photograph | cardboard
Gift of Margaret and Howard Bond
2010/1.169.19
In this dark print a young man and a woman stand together. The man's left arm is draped across the woman's shoulders. The man wears a t-shirt tucked into pants with the text "WASTED YOUTH." The man's right arm is bent at the elbow, and he makes a hand gesture with his right hand. The woman has curly hair that falls below her shoulders, she wears a t-shirt and pants. There is a green rectangular flap across her chest that has an outline drawing of breasts. The woman's arms are down at her side. The colors used in this print are green, purple, orange, pink, and black.
Leon Golub
Wasted Youth I
1994
screenprint | paper
Gift of Thomas Deutsch
1999/1.85
This black and white stereoscopic image features a drawing of five frogs drinking wine in front of an ivy-covered wall. It is surrounded by the text: Set No. 8; Underwood & Underwood, Publishers, Unique; 11.
Stereo Classics Studio
Stereoscope Image, Set No. 8: Untitled (drunk frogs)
1978
photograph | cardboard
Gift of Margaret and Howard Bond
2010/1.169.29
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42
Sonia Sheridan
Self-Portrait in Time
1989
digital print | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.15
Very colorful print with a series of colored bands, separated with black lines, at the top. Below the rainbow-colored bands are three fragmented images of the head of the Disney character Goofy, in teal, pink, yellow and white. The main portion of the print below has a series of differently organized and vibrantly colored grids and square patterns. At the base, there is an olive colored box, outlined in black, with black text reading: "Protocol-Sentences' the most adequate cosmological symbol centricity and radial arrangements organized, as a rule, according to quaternary point p a point would in turn give rise to yet more neutrons until a veritable avalanche developed: [mathematical equation] / [mathematical equation] .... The mathematical implications of the process are quite explicit. A pound of uranium contains some needs. With this desideratun [<em>sic</em>] in mind, transfers from one setttlement to another will be made on an exchange basis, or refers to "the nullity of forms" and other normalizing / fa
Sir Eduardo Paolozzi
Protocol-Sentences
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.4
This ink drawing on paper has a black wash ground, with two figures drawn in opaque black ink. On the right, a comic figure, in only boxers and a pointed hat, dances. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster on the ground. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, attached together with no cradle.  In the background, a headstone-shaped form silhouettes the dancing figure.<br /><br />
The drawing is signed and dated in ink (l.l.) "KOSTABI 1984".
Mark Kostabi
As Long as I Don't Have to Get Up Before 11:00
1984
ink | paper
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.240
On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
1965 - 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.34
Andy Warhol
The Electric Chair (pink and green), from the "Portfolio of Ten Screenprints"
1971
screenprint | paper
Gift of Marianne and Graham Smith
1979/2.90
Winding through the center of this print, a melting clock oozes from the top right to the bottom center in red, yellow and blue. To the left of the base of the clock is a bright orange and red bolder. In the background, there is a large landscape with mountains and a cloudy sky. There are three figures in the scene. At the bottom right, a figure is seated with a staff and behind it is a large shape in yellow, red and blue. At the center, there is a sketch of a mounted figure on a rearing horse; and at the upper right, there is a figure with a strong shadow. The print is signed (l.r.) and numbered (l.l.) in pencil. 
Salvador Dali
Espace-temps en fusion
1975
drypoint etching, lithograph, screenprint | paper
Anonymous Gift
1981/2.110.8
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol
Marilyn
1967
screenprint | paper
Gift of Frances and Sydney Lewis
1969/1.84
This photograph is divided in a grid of two rows, each made up of eleven vertical images. In each of these frames, a naked man is shown climbing the rungs of a ladder. Each frame depicts the movement of his body as he makes his ascent.
Eadweard Muybridge
Man Climbing Ladder, Plate III
1884 - 1887
collotype | paper
Gift of the Marvin Felheim Collection
1983/1.291

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Last Updated

March 2, 2018 2:31 p.m.

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