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Sp17 Kligerman - SAC 455 - Zombies! Exhuming the Undead in American Culture

Francisco José de Goya y Lucientes
And still they don't go! (Y aun no se van!)
1799
etching, burnished aquatint and burin | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.59
Georges Rouault
Miserere. Pl. 54. 'Debout les morts!' 'Arise, ye dead!'
1927
aquatint and etching | paper
Gift of Mr. and Mrs. Homer Kripke
1964/2.150
Y. Verne
Voodoo Ritual
20th century
inlaid banana leaves and cane | cardboard
Gift of Dr. James L. Curtis
2011/2.187
A blurred image of a nude figure bending forward, the arms nearly reaching the ground.
Bill Jacobson
Song of Sentient Beings #1612
1995
gelatin silver print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
1999/1.102
This black and white stereoscopic image features two images of a creature with an iguana’s body and an alien/skull/human head. It is surrounded by the text: Set No. 8; Underwood & Underwood, Publishers, Unique; Popular Series.
Stereo Classics Studio
Stereoscope Image, Set No. 8: Untitled
1978
photograph | cardboard
Gift of Margaret and Howard Bond
2010/1.169.30
Francisco José de Goya y Lucientes
There is plenty to suck (Mucho hay que chupar)
1799
etching and burnished aquatint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.45
This print shows a chaotic scene with a white skeleton in the center. In the upper left, there are a series of sea creatures, including a grey colored shark, pink colored squids and two octopuses in shades of orange. At the bottom of the print, the skeleton is surrounded by a large lizard, skulls, and other figures. A moon and stars are in the upper left corner. The print is signed (l.r.) "Underground Ann McCoy" and numbered "18/100" in red pencil.
Ann McCoy
The Underworld
1980
hand colored lithograph | paper
Gift of Professor and Mrs. Edward J. Mitchell
1981/2.176
Claire Mahl Moore
The Fair Sex
1930 - 1940
lithograph | paper
Courtesy of the Fine Arts Program, Public Buildings Service, U.S. General Services Administration Commissioned through the New Deal art projects
1935.10
A group of prisoners, naked, standing in a line next to a line of officers. They are in the hallway between the cells.
Danny Lyon
Building Shakedown, from "Conversations with the Dead"
1968 - 2011
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.358
In a nocturnal setting, a large crowd of people is corralled into a space encased by a railing.  The figures are in various states of distress and unrest.  
George Wesley Bellows
The Crowd
1923
lithograph | paper
Dr. Herbert & Doris Sloan
2013/2.250
A black and white photograph of two helmeted figures in the foreground, and a crowd of people gathered around cars and looking to the viewer's left. Buildings and gravel piles appear in the background.
Danny Lyon
An angry crowd forms in Cambridge
1964
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2016/2.451
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br />
Eva Caston 2017
Elliott Erwitt
Church at Wounded Knee, from "Portfolio of 15 Photographs"
1969 - 1988
gelatin silver print | paper
Gift of Gerald Lotenberg
1981/2.194.1

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March 2, 2018 11:12 a.m.

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