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Between and Mortarboard

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<p>The beginning of the 14th century saw a change in inlaid patterns from using both black and white clay to only using white clay, as demonstrated by this bowl. Concentric white circles extend around the upper and lower parts of the inner and outer surfaces, while the inner wall features a chrysanthemum design in three places. Sand is stuck to the foot and the outer base. The bowl is tinged with vivid yellow. Parts of the rim are slightly damaged, but the glaze is finely fused.<br /> [<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.107]</p>
Korean (Korean (culture or style))
Shallow bowl with inlaid chrysanthemum designs
14th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.250
<p>The lid of this jar is carved with lotus petal design, crowned with the knob shaped as a lotus bud. Three refractory spurs are stuck to the inside of the lid. The shoulder of the jar is decorated with a descending willow design inlaid with white slip. The entire foot and outer base are glazed, but it is poorly fused and rough with impurities stuck to it. The lid retains a celadon color, but the jar itself is a light gray hue overall.<br /> [<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.134]</p>
Korean (Korean (culture or style))
Covered Cosmetic Jar
1167 – 1232
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.243A&B
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