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Between and Mortarboard

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11 UMMA Objects
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The ewer in this drawing is decorated with cavorting satyrs, lions, and grotesque masks.
Mathias Zündt
Decorative Ewer with Satyrs
1551 – 1572
Museum Purchase
1960/2.21

Giuseppe Valeriani
Stage Set: A Palace Hall with a Doorway
1751 – 1760
Museum Purchase
1960/2.12

Italian
A Door Knocker with Arms Resembling Those of the Medici
1575 – 1625
Museum Purchase
1963/2.28
Minimal line drawing presents a 3/4 profile of man, with right ear, a tuft of hair, mouth, nose, full right eye, partial left eye, eyebrows, eye lashes, and minimal chin.
Felix Albrecht Harta
Portrait of Arnold Schönberg
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.112

Italian
Stage Design: A Loggia Near a Fortress
1800 – 1825
Museum Purchase
1963/2.34
Two nude women looking at viewer, standing 1/4 turn to the left. Left-hand figure has right hand behind head, right elbow in air; she also has "paper-colored" hair. The figure on the right has hands on hips, elbows pointing out; left elbow a half-inch from right side of image. Right-hand figure has black hair. Two lines, center and on the right, suggest a ground/floor.
Ernst Kirchner
Two Standing Nudes (Zwei Stehende Akte)
1909 – 1910
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.93

Henri Gaudier-Brzeska
Two Penguins
1907 – 1917
Museum Purchase
1949/1.206

Italian
Design for an Illusionistic Wall Decoration with Alternative Suggestions
1730 – 1750
Gift of Miss Ann Hall
1960/1.111
This drawing depicts two groups of figures. A darker, more heavily shadowed group that includes a prominent standing figure appears in the lower right corner. A second group of seated figures, more lightly drawn, appear in the upper left.
Sir William Orpen (British (modern))
Study for the Play Scene from Hamlet
1898 – 1899
Joseph F. McCrindle Collection
2009/1.509
This sheet is dominated by the head of an old man with a voluminous beard, seen in 3/4 view, with head turned to the figure's left. Grey tones dominate the drawing, and the suggestion of the man's hunched shoulders in the background increases the sense that he is leaning his head towards the viewer.
Gaetano Gandolfi (Italian (culture or style))
Untitled (Head of an Old Man with a Long Beard)
1750 – 1799
Joseph F. McCrindle Collection in memory of Frederick A. den Broeder
2009/1.496
Ombre orange and black abstract forms painted on paper cut out and attached to wood, laid on top of another larger cutout of pink abstract form with “shadows” from the cutout above it painted in red; the paper collage is centered on a large sheet of white paper. Signed “D[orothy] & H[erb] Rogue” in bottom left corner, “R. J. Francisco ‘82” in bottom right corner.
Richard Francisco
D&H Rogue
1982
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.229
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