1066 UMMA Objects
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Luigi Lucioni
A Large Tree
1948
Bequest of Carl F. Clarke
1954/1.127
A Gothic-style church tower is seen in the middle distance. It dominates a cloudless sky in the upper portion of the image, with trees rising behind the lower portion of the building and a single story outcropping of the building expanding to the tower's left. The architectural details, especially the carved stonework and patterned brickwork, are rendered with precision.<br />
Signed and dated lower right on plate: "John Taylor Arms. 1937". Signed and dated lower right below plate in pencil: "John Taylor Arms 1937".<br />
Watermark: England
John Taylor Arms (American (North American))
Anglia Antiqua, West Walton
1937
Gift of Carl Fredric Clarke
1949/1.42
This horizontal print shows a gentle slope of land in the left bottom corner. Emerging from behind it are a small house on the far left, and two sail boats in the middle, On the right, there is a wooden structure, perhaps a shed, with a barrel on the ground next to it.
Warren Lombard (American (North American))
Ajax at Wharf—Monhegan
1917 – 1927
Gift of Prof. and Mrs. Alfred H. White
1940.15

Alessandro Mastro-Valerio
(Christmas Card)
1887 – 1940
Gift of Prof. and Mrs. Alfred H. White
1940.251
A man is standing, facing away from viewer, toward the head of a horse which is in profile facing left. The man is wearing overalls and a wide-brimmed hat. He holds something heavy in his right hand and balances himself by stretching out his left.
Alessandro Mastro-Valerio
Man and Horse
1932
Gift of Prof. and Mrs. Alfred H. White
1940.264

Julius Komjati
Morning
1929
Bequest of Carl F. Clarke
1954/1.121

André Dunoyer de Segonzac (French (culture or style))
Les Demoiselles de la Marne
1921
Museum Purchase
1954/1.157

Wenceslaus Hollar
Map of Berkshire with a View of Windsor Castle from the South
1666
Museum Purchase
1954/1.164

Charles Dufresne
The Three Crosses
1876 – 1938
Museum Purchase
1954/2.26
This black and white etching shows a pier that dominates the foreground of the scene, and recedes toward the left distance while the center distance is vague darkness. There are tall, black pillars along the pier and waves of the water visible to the right of the image. The print is signed (l.r.) "Emil Nolde".
Emil Nolde (German (culture or style))
Hamburg, Landungsbrücke
1910
Museum Purchase
1954/2.29

Georges Rouault (French (culture or style))
Miserere. Pl. 34. "Les ruines elles-mêmes ont péri."
1926
Museum Purchase
1954/2.32
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