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Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
James Abbott McNeill Whistler (American (North American))
The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.374
Glimpsed through an entableture and single doric column, a busy boulevard is seen filled with horse-drawn carriages and cabs, as well as with pedestrians, mostly in the foreground. In the distance is a building with large windows.
James Abbott McNeill Whistler (American (North American))
Regent's Quadrant
1880 – 1881
Bequest of Margaret Watson Parker
1954/1.394
Seen from an elevated vantage point, a quay in the foreground with boats anchored nearby and figures talking is balanced in the upper part of the image by a view of buildings along the canals, gondolas, shipping and, just left of center, a large domed church.
James Abbott McNeill Whistler (American (North American))
Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.388
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