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Abstract Expressionism
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african
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inuit
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abstract
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box for tea caddy
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hat
head
headdress
historiated initial
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incense burner
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ingot
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jardiniere
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knife sheath
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lamp shade
lamp stand
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leaf
lid
life drawing
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line drawing
lock
mandala
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medallion
metalwork
michiyuki
miniature
minkisi
mirror
mixed media
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niello
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obi brooch
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panel
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pedestal
pedestal bowl
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percussion instrument
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pipe holder
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plants
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plate
portable icon
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post
poster
pot
pouch
powder horn
prayer wheel
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printing block
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puppets
purse
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relief print
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roof tile
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rug
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shard
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sheet
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stereoscope viewer
still life
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stupa
sugar bowl
sugar caster
suit of armor
surplice
sword
sword guard
sword rack
tabi
table
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tea accessory
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tea caddy pouch
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tea cup
tea service
teapot
textile
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theorem
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thumbnail sketch
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tie-dyeing
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tracing
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tree
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ukiyo e
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unmounted scroll
utensil
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vase
vessel
video
water dropper
water jar
water vessel
whistle
wind instrument
window
wine jar
wood and woodcarving
working drawing
works on paper
zodiac figure
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Acoma
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Danish (culture or style)
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Edo (African culture)
Ethiopian Orthodox
Ewe (Guinea Coast style)
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First Nations (culture)
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Fon (culture or style)
French (culture or style)
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German (culture or style)
German (culture, style, period)
Ghanaian
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Guatemalan
Guro
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Haida (culture or style)
Haitian
Hemba (culture or style)
Holo
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Indian (South Asian)
Inuit (Canadian Arctic Native style)
Inupiaq
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Israeli
Italian (culture or style)
Japanese (culture or style)
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Kongo (culture or style)
Korean (culture or style)
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Kusu (Luba region style)
Kwese
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Lega
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Lobi
Lozi (culture or style)
Luba (culture or style)
Lulua
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Lwena
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Mandingo (peripheral Mande Style)
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Mbala (culture or style)
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Mossi
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Russian (culture or style)
Sakata (culture or style)
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South African
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Suku
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Teke (culture or style)
Temne (culture or style)
Tibetan (culture or style)
Tikar
Turkish (culture or style)
Venezuelan
Vili
Wongo
Yaka (Kwango-Kwilu region style)
Yombe (culture or style)
Yoruba (culture or style)
Zambian
Zande
Zombo
undetermined (information indicator)
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UMMA Gallery Location ➜ AMH, 1st floor ➜ 101 (Entrance Hall)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 109 (Lizzie and Jonathan Tisch Apse)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 115 (ArtGym)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 200 (A. Alfred Taubman Gallery I)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 201 (Tiffany: Between Taubman I doors)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 211 (Tiffany: Between Tiffany Doors and FFW Connector)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 212 (A. Alfred Taubman Gallery II)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 213 (The Robert and Lillian Montalto Bohlen Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 216 (Japanese Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 217 (Gallery of South, Southeast and Central Asian Art)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 218 (Eleanor Noyes Crumpacker)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 219 (Elevator Landing-Administration Hallway)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 221 (Director's Office)
UMMA Gallery Location ➜ FFW, Lower Level ➜ 053 (Education Center Display Cabinets)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M01 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M02 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M04 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M05 (Jan and David Brandon Family Bridge)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M06 (Shirley Chang Gallery of Chinese Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M07 (Woon-hyung Lee and Korea Foundation Gallery of Korean Art)
UMMA Gallery Location ➜ FFW, Stairways ➜ S08 (Stair 8)
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Artist Unknown
Three Women and a Man in the Garden
Gift of Professor Walter M. and Nesta R. Spink
2013/2.547
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