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Between and Mortarboard


UMMA Object Specific Fields






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Results for medium:"carved wood"

115 UMMA Objects (page 1/10)
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Standing figure with bent knees and its hands at the front of its hips. The head is triangular with protruding u-shaped ears and a ridge extending from its forehead, over the head, and down the back of the neck. 
Dogon (Dogon (culture or style))
Standing Female Figure
1950 – 1999
Gift of Mary Paul and Bruce Stubbs in honor of Evan Maurer
2016/1.208

Mossi;Bwa;Burkina Faso (Mossi)
Flute
1900 – 1985
Museum Purchase made possible by the Friends of the Museum of Art
1985/1.152

Dogon (Dogon (culture or style))
Standing Figure
1935 – 1945
Gift of Avery Z. Eliscu
1984/1.271

Kuba (Kuba (Democratic Republic of Congo style))
Stool/Backrest
1945 – 1955
Museum Purchase
1987/2.70

Kuba (Kuba (Democratic Republic of Congo style))
Double Neckrest
1867 – 1899
Museum Purchase
1985/2.52

Dogon (Dogon (culture or style))
Ritual Staff
20th century
Gift of Dr. and Mrs. Irving F. Burton
1975/1.69
Four prints, identical, long piece of wood with repeating pattern.
Spanish
Lintel Fragments (From a set of 5)
1500 – 1699
Gift of the Estate of Mary Chase Stratton
1961/2.6A
Tear drop board with figure in the middle.
Papua New Guinean
Ancestor Board (gope)
Gift of Mr. and Mrs. Cedric H. Marks
1972/2.388

Zaramo
Doll
20th century
Gift from Dr. James and Vivian Curtis
1997/1.325
Four prints, identical, long piece of wood with repeating pattern and a border.
Spanish
Lintel Fragments (From a set of 5)
1500 – 1699
Gift of the Estate of Mary Chase Stratton
1961/2.6C
Four prints, deeper on one side and more faint towards the other, long piece of wood with repeating pattern.
Spanish
Lintel Fragments (From a set of 5)
1500 – 1699
Gift of the Estate of Mary Chase Stratton
1961/2.6E
Bird mask with an elongated beak that is decorated with a carved geometric design. The mask has a protruding nose, forehead, and eyes. The top of the mask has a carved geometric design and a bent nail embedded into the top. 
Bird Mask
20th century
Gift of Michael and Phyllis Courlander
2016/1.259
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