21 UMMA Objects
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Korean (Korean (culture or style))
Twelve Zodiac Animals: Sheep
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.8
Round mirror with a loop on top for suspending by card, and the bottom loop has mostly broken offf. A swastika symbol is in relief on the reverse side.<br />
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This mirror features a swastika in relief on its reverse side. The patterns surrounding the swastika are difficult to identify because of severe peeling. This mirror has a loop on the top for suspending a cord, but the one on the bottom has fallen off leaving only a trace.
<p>[Korean Collection, University of Michigan Museum of Art (2017), 241]</p>
Korean (Korean (culture or style))
Bronze Mirror with Swastika Motif
918 – 1392
Gift and partial purchase from Bruce and Inta Hasenkamp, purchase with funds from Elder and Mrs Sang-Yong Nam
2021/1.143
This dark grayish-blue earthenware vessel is from the Goryeo period. The neck flares out toward the top and the mouth spreads widely out to the side. The neck and body are encircled by two thick incised line. The body has gently sloping sides that flare out and then taper down toward the base.<br />
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This is a grayish black, high-fired stoneware bottle. Its neck splays to form a curved profile, and the edge of its rim is round. The body is widest at its lower part and connected to the neck without a break. Double or triple incised lines run around the body in two places. The section between the neck and the rim shows clear traces of glaze, though this cannot be determined for the rest of the bottle. The center of the base is slightly recessed.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 83]</p>
Korean (Korean (culture or style))
Bottle
918 – 1392
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.207
This is a rubbing of a figure with the head of a snake dressed in robes. A tongue is protruding from the mouth. A staff or sword is held in the right hand.<br />
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<p>These rubbings are taken from reliefs of the twelve Chinese zodiac animal deities on the surface of guardian rocks (&egrave;&shy;&middot;&ccedil;&Yuml;&sup3;, hoseok ) placed around the edge of the tumulus of General Kim Yusin (&eacute;&Dagger;&lsquo;&aring;&ordm;&frac34;&auml;&iquest;&iexcl;, 595&acirc;&euro;&ldquo;673) on Songhwasan Mountain (&aelig;&frac34;&egrave;&Scaron;&plusmn;&aring;&plusmn;&plusmn;) in Gyeongju, Gyeongsangbuk-do Province. The twelve animal deities guard the twelve Earthly Branches which can be interpreted as spatial directions. Each animal deity has the face of a certain animal and a body of human. The twelve animal deities occur in the following order according to the Chinese zodiac: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog, and pig. While the twelve deities on guardian stones pl
Korean (Korean (culture or style))
Twelve Zodiac Animals: Snake
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.6

Korean (Korean (culture or style))
Twelve Zodiac Animals: Rooster
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.10
This is a rubbing of a figure with the head of an ox dressed in robes. It appears to be holding a staff in its right hand.<br />
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<p>These rubbings are taken from reliefs of the twelve Chinese zodiac animal deities on the surface of guardian rocks (&egrave;&shy;&middot;&ccedil;&Yuml;&sup3;, hoseok ) placed around the edge of the tumulus of General Kim Yusin (&eacute;&Dagger;&lsquo;&aring;&ordm;&frac34;&auml;&iquest;&iexcl;, 595&acirc;&euro;&ldquo;673) on Songhwasan Mountain (&aelig;&frac34;&egrave;&Scaron;&plusmn;&aring;&plusmn;&plusmn;) in Gyeongju, Gyeongsangbuk-do Province. The twelve animal deities guard the twelve Earthly Branches which can be interpreted as spatial directions. Each animal deity has the face of a certain animal and a body of human. The twelve animal deities occur in the following order according to the Chinese zodiac: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog, and pig. While the twelve deities on guardian stones placed around royal tumuli from the
Korean (Korean (culture or style))
Twelve Zodiac Animals: Ox
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.2

Korean (Korean (culture or style))
Twelve Zodiac Animals: Horse
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.7
This is a rubbing of a figure with the head of a dragon dressed in robes. Figure is holding a sword in its left hand and the right hand is pressed to the chest.<br />
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<p>These rubbings are taken from reliefs of the twelve Chinese zodiac animal deities on the surface of guardian rocks (&egrave;&shy;&middot;&ccedil;&Yuml;&sup3;, hoseok ) placed around the edge of the tumulus of General Kim Yusin (&eacute;&Dagger;&lsquo;&aring;&ordm;&frac34;&auml;&iquest;&iexcl;, 595&acirc;&euro;&ldquo;673) on Songhwasan Mountain (&aelig;&frac34;&egrave;&Scaron;&plusmn;&aring;&plusmn;&plusmn;) in Gyeongju, Gyeongsangbuk-do Province. The twelve animal deities guard the twelve Earthly Branches which can be interpreted as spatial directions. Each animal deity has the face of a certain animal and a body of human. The twelve animal deities occur in the following order according to the Chinese zodiac: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog, and pig. While the twelve deities on guardian ston
Korean (Korean (culture or style))
Twelve Zodiac Animals: Dragon
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.5
An instrument consisting of a hollow sound box, a bamboo beck, two pegs in the upper neck wound with strings, two strings, and a bow. The sound box is made of sanyuja wood.<br />
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This is a traditional Korean musical instrument with two strings. Sound is produced by the friction between strings made from several strands of thin silk thread and bowstrings made of horsehair. Its unique sound has earned the haegeum alternative, onomatopoeic names such as gaenggaengi and aenggeum. The instrument consists of a hollow sound box, a bamboo neck, two pegs in the upper neck each wound with a string, the strings themselves, and a separate bow. The pegs are currently detached from the neck. The sound box is made of sanyuja wood (Xylosma congestum).
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 288]</p>
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Korean (Korean (culture or style))
Two-stringed Fiddle (Haegum)
1850 – 1950
Gift and partial purchase from Bruce and Inta Hasenkamp, purchase with funds from Elder and Mrs Sang-Yong Nam
2021/1.159
This mirror features designs of two birds, coupled with floral motifs, positioned symmetrically on the left and right sides. Eight-foiled barbed bronze mirror is general. This type is a modified form of that.<br />
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This blue-green bronze mirror decorated with a double crane design is excellently cast. It is five-lobed, and the registers are also divided by five-lobe shaped ridge. The outer register is decorated with scroll design while the inner register is adorned with a pair of cranes, with wings spread and heads turned right, arranged on either side of the central suspension loop against the honeysuckle scroll background. This object may be compared to other crane-patterned mirrors excavated from the Geumcheondong site tomb in Cheongju, Chungcheongbuk-do Province.
<p>[Korean Collection, University of Michigan Museum of Art (2017), 240]</p>
Korean (Korean (culture or style))
Domed boss surrounded by raised band and dots, field of two phoenixes among flowers and vines, raised border with floral motif and five-lobed edges on both sides.
918 – 1392
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/2.61
This dark grayish-blue earthenware vessel is from the Goryeo period. The neck flares out toward the top and the mouth spreads out to the side. The neck is encircled by a thick incised line. A lot of thin lines are encircled on the body. The body has gently sloping sides that flare out and then taper down toward the base and is slightly flatted. Flatted bottle was produced by making a globular body first on the wheel, then flattening it on both sides.<br />
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This is a dark gray, high-fired stoneware bottle. Its neck curves outwards and is connected to a rim with a round edge. The body is widest at its middle. The bottle is entirely covered in distinct traces of rotation and water smoothing.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 83]</p>
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Korean (Korean (culture or style))
Stacking Bottle (with flattened sides)
918 – 1392
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.208

Korean (Korean (culture or style))
Twelve Zodiac Animals: Rat
1945 – 1980
Transfer from the Department of the History of Art, Slide and Photograph Collection, gift of Mrs. Pilsoon L. Chun
2021/1.128.1
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