33 UMMA Objects
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This stone dagger has a handle that is divided into two parts, separated from each other by a thinner band. The upper tier is smaller in length than the lower tier, which flares outward as it approaches the end. The tip of blade is broken off. In profile, the blade thickens in the center.<br />
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Carved from stone, this dagger with a two-tier handle is missing only its tip. The cross section of the blade is rhomboid, while that of the handle is shaped like a convex lens. The dagger is of the later two-tier-handled type (<em>idanbyeongsik</em>), meaning that it probably dates from the end of the early Bronze Age or the beginning of the middle Bronze Age. Max Loehr (1903- 1988) was a German art historian specializing in East Asian art who taught at the University of Michigan from 1951 to 1960 as a professor.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p.32]
Korean (Korean (culture or style))
Polished Stone Dagger
900 BCE – 701 BCE
Museum purchase from the collection of Max Loehr
1960/2.117

Chinese (Chinese (culture or style))
Mirror, "Marriage type" (with lobed rim and paired design motifs)
600 – 799
Museum purchase for the James Marshall Plumer Memorial Collection
1961/2.62

Saitō Kiyoshi (Japanese (culture or style))
Buddha Asyura (Ashura, Kôfukuji, Nara)
1959
Gift of Dr. Lawrence Preuss
1986/2.65
Stoneware jar with natural ash glaze and bell-shaped lid. Along the widest horizontal stretch of the base is an incised circle-and-dot design. A variation on this pattern also loops around the lid, topped by a line marking a ring along the surface of the lid, and incised lines extending outward from a button-shaped knob.<br />
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This is a dark gray, high-fired stoneware lidded bowl with a stamped design. The lid features a button-shaped knob at its center. Thinly incised lines encircle the upper part of the lid, dividing its surface into two segments. The inner segment is decorated with a triangular line design, whereas the outer segment is decorated with a design consisting of semicircles with dots inside, which border the inner segment. Sets of two thinly incised horizontal lines run around the section of the bowl immediately below the rim and the lower middle part of the body. A double semicircular design decorates the segment between these two sets of lines. The foot is short and thick and has a fo
Korean (Korean (culture or style))
Cinerary urn with triangular circle-and-dot design
7th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1973/2.36A&B
This is an earthenware standing figure of a military official or warrior. He wears Tang dynasty styled armor including a helmet, elbow-length gauntlets, a cuirass with plaques, and taces, worn over a long tunic, loose pants, and boots.  His arm is raised to hold a weapon, and he stands on a rock-styled base, which is covered in amber, green, and cream glazes. The head of the figure is unglazed with traces of mineral pigment. 
Chinese (Chinese (culture or style))
Warrior
667 – 732
Transfer from the College of Architecture and Design
1972/2.68

Iranian (Iranian)
Tile
8th century
Transfer from the School of Art and the College of Architecture and Urban Planning.
1997/1.255

Indian (Indian (South Asian))
Bodhisattva (?), head
8th century
Gift of Mark and Iuliana Phillips
1996/2.31

Indonesian
Portrait Statuette (probably a monarch)
700 – 899
Museum Purchase
1957/2.55
This stoneware vessel consists of a bowl and lid. The curved hemispheric lid has a ring-shaped knob in the center and is decorated a lot of dot line design. The hemispheric bowl stands on the low foot with a flat base. This part is also decorated with stamped design.<br />
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This is a dark gray, high-fired stoneware lidded bowl decorated with a stamped design. A ring-shaped knob at the top of the lid is surrounded by vertically aligned dotted designs radiating outwards. The bowl rim is rounded, while two narrowly incised lines surround its widest part, located just below the lip of the rim where the lid rests. Below these lines, the body is stamped with a continuous, vertically aligned, horseshoe pattern. The short and broad horseshoe motif conveys a sense of stability.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 78]</p>
Korean (Korean (culture or style))
Cinerary Urn or Reliquary with stamped "fish scale" designs
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.204A&B

Japanese (Japanese (culture or style))
Water Canteen, Sue Ware
8th century
Gift of G. Nakajima, Kyoto, Japan
1986/2.11

Chinese (Chinese (culture or style))
Bodhisattva, seated in lalitasana: part of a miniature shrine
600 – 799
Gift of Marybelle B. Hanna
2001/1.363

Khmer (Khmer (general))
Head and torso of a Bodhisattva (Srivijaya Style)
8th century
Gift of John Adams Thierry in memory of Louis Sidney Thierry
1993/2.36
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