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Abstract Expressionism
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african
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inuit
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abstract
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armlet
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artist's book
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ax
axe
bag
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bas-relief
basin
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basketry
bead
beadwork
beaker
bell
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bench
biblical
black and white print
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block
block printing
body ornament
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bottle
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bowl
box
box for tea caddy
bracelet
brazier
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brush
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buddhist sculpture
bust
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cache-sexe
calligraphy
cancellation proof
candlestick
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carving
casting
ceramic
chair
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charger
chest
chiaroscuro woodcut
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cityscape
clock
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coffee service
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comb
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costume and costume accessories
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crewelwork
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currency
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decorative arts
design
design plan
desk
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direct metal sculpture
dish
doll
door
drawing
drum
earthworks
embroidery
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ewer
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fan painting
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figure
figure in landscape
figure painting
film still
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flower
folding fan
folio
fork
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fragment
funerary jar
funerary sculpture
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furniture and furniture accessories
futon cover
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genre
gesture drawing
glass
goldweight
grille
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halberd
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haori
har
hat
head
headdress
historiated initial
historical
incense burner
incense container
ingot
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inkwell
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installation art
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jar
jar with lid
jardiniere
jardinière
jewelry
kettle
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kimono
knife
knife sheath
lacquer
ladle
lamp
lamp shade
lamp stand
landscape
leaf
lid
life drawing
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line drawing
lock
mandala
manuscript
map
maquette
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mask
medallion
metalwork
michiyuki
miniature
minkisi
mirror
mixed media
mobile
model
modeling
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narrative painting
narrative relief
necklace
netsuke
niello
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obi
obi brooch
obi cord
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painted
painting
panel
panel painting
pedestal
pedestal bowl
pendant
percussion instrument
perfumer
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personal adornment
photo-mechanical
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pillow
pin
pipe
pipe holder
pitcher
planographic print
plants
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plate
portable icon
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post
poster
pot
pouch
powder horn
prayer wheel
preparatory drawing
presentation drawing
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printing block
puppet
puppets
purse
quilt
raincoat
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relief print
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ritual object
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robe
roof tile
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rug
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screen
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seal
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serving set
serving utensil
shadow puppet
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shard
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sheet
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skirt
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sofa
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stamp
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steamer
stereoscope viewer
still life
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stool
stringed instrument
study
stupa
sugar bowl
sugar caster
suit of armor
surplice
sword
sword guard
sword rack
tabi
table
tankard
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tea accessory
tea bowl
tea caddy
tea caddy pouch
tea container
tea cup
tea service
teapot
textile
thangka
theorem
three-tone drawing
thumbnail sketch
tie
tie-dyeing
tile
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tracing
tray
tree
triptych
ukiyo e
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undergarment
unmounted scroll
utensil
vanitas
vase
vessel
video
water dropper
water jar
water vessel
whistle
wind instrument
window
wine jar
wood and woodcarving
working drawing
works on paper
zodiac figure
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Acoma
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Congolese (Republic of the Congo culture)
Cuban
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Danish (culture or style)
Deccani
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Dondo
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Edo (African culture)
Ethiopian Orthodox
Ewe (Guinea Coast style)
Fang (culture or style)
First Nations (culture)
Flemish (culture or style)
Fon (culture or style)
French (culture or style)
Fulbe
Gallo-Roman
German (culture or style)
German (culture, style, period)
Ghanaian
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Guatemalan
Guro
Guyanese
Haida (culture or style)
Haitian
Hemba (culture or style)
Holo
Hopi (culture or style)
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Idoma
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Indian (South Asian)
Inuit (Canadian Arctic Native style)
Inupiaq
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Israeli
Italian (culture or style)
Japanese (culture or style)
Kamba
Khmer (general)
Kongo (culture or style)
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Kusu (Luba region style)
Kwese
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Lega
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Lobi
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Luba (culture or style)
Lulua
Lunda (culture or style)
Lwena
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Mandingo (peripheral Mande Style)
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Maori (culture or style)
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Sakata (culture or style)
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Senufo (culture or style)
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Sotho (culture or style)
South African
South Korean
Spanish (culture or style)
Sudanese
Suku
Swedish (culture or style)
Swiss
Tabwa
Tanzanian
Teke (culture or style)
Temne (culture or style)
Tibetan (culture or style)
Tikar
Turkish (culture or style)
Venezuelan
Vili
Wongo
Yaka (Kwango-Kwilu region style)
Yombe (culture or style)
Yoruba (culture or style)
Zambian
Zande
Zombo
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Current Location
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UMMA Gallery Location ➜ AMH, 1st floor ➜ 101 (Entrance Hall)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 109 (Lizzie and Jonathan Tisch Apse)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 115 (ArtGym)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 200 (A. Alfred Taubman Gallery I)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 201 (Tiffany: Between Taubman I doors)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 211 (Tiffany: Between Tiffany Doors and FFW Connector)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 212 (A. Alfred Taubman Gallery II)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 213 (The Robert and Lillian Montalto Bohlen Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 216 (Japanese Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 217 (Gallery of South, Southeast and Central Asian Art)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 218 (Eleanor Noyes Crumpacker)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 219 (Elevator Landing-Administration Hallway)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 221 (Director's Office)
UMMA Gallery Location ➜ FFW, Lower Level ➜ 053 (Education Center Display Cabinets)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M01 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M02 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M04 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M05 (Jan and David Brandon Family Bridge)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M06 (Shirley Chang Gallery of Chinese Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M07 (Woon-hyung Lee and Korea Foundation Gallery of Korean Art)
UMMA Gallery Location ➜ FFW, Stairways ➜ S08 (Stair 8)
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3 UMMA Objects
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Chinese (Chinese (culture or style))
Fragment of Bird or Dragon Plaque
9519 BCE
Gift of the Estate of Agnes E. Meyer
1971/2.100
Chinese (Chinese (culture or style))
Ferrule (handle) of a Ge (dagger)
9519 BCE
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/1.94A&B
Chinese (Chinese (culture or style))
Mirror with Interface Design
9519 BCE
Gift of Ellen and Richard Laing
2006/2.65
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