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18 UMMA Objects
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The gray jar with a little long neck has a foot with rectangular perforations and is potted with fine silt-based clay. The relatively thin mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. The foot whose bottom is rolled outward is a little high and wide.<br /> <br /> The long and splayed neck of this blue-gray, high-fired stoneware jar is encircled by two sets of ridges. The set on the upper section of the neck has two ridges, and the set on the lower section has one ridge. The rim is narrow and round. The inner surface of the neck shows rough, uneven surfaces resulting from wheel throwing. The body is widest at its middle. The vessel surface has been smoothed by paring on a wheel after attaching the low pedestal. The pedestal shows six rectangular perforations. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 51]</p>
Korean (Korean (culture or style))
Storage Jar on cut-out pedestal foot
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.176
It has a flat base and straight body. The body is divided with incised lines and each section is embellished with a simple wave design. A pair of D-shaped handles is attached to the body. Its lid features a hemispheric body surmounted by a button-shaped knob.<br /> <br /> This is a set consisting of a dark gray, high-fired stoneware bowl and its lid. The lid is crowned with a button-shaped knob at its center, which is encircled by two thinly incised lines drawn by a multitooth comb. These lines divide the lid&rsquo;s surface into inner and outer sections, to both of which wave designs have been applied. On each side of the bowl, a long, narrow, band-shaped handle is attached vertically and symmetrically. The base of the bowl is flat, while the part where the base and body of the bowl meet is rounded. The bowl gradually flares upwards. Three broad raised bands surround three parts of the body. A wave design is rendered between each band. Faint traces of paddled patterns are visible on parts of the base. <p>
Korean (Korean (culture or style))
Two-handled bowl with cover
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.182A&B
A ceramic ridged bowl with a tall, trapered cylindrical stand. The base is detailed with staggered square cut-outs.
Korean (Korean (culture or style))
Bowl with Stand
400 – 599
Gift of Ok Ja Chang and the Chang Family
2009/2.70
A dome-shaped cermaic lid for a bowl. Outfitted with a circular handle supported by four square legs. The bottom of the lid tapers inward, suggesting this area fits inside its bowl counterpart rather than resting on top of it.
Korean (Korean (culture or style))
Lid for Bowl
400 – 599
Gift of Ok Ja Chang and the Chang Family
2009/2.77
A ceramic, ridged bowl that rests on a thick, round base.
Korean (Korean (culture or style))
Bowl
400 – 599
Gift of Ok Ja Chang and the Chang Family
2009/2.78
A ceramic lid for a matching bowl. Outfitted with a small, round and tapered handle.<br /> <br /> This yellow, low-fired earthenware vessel consists of a body and a lid. It is made from fine clay mixed with a small amount of fine sand particles. Fine, incised horizontal lines run around the body. The gallery that supports the lid rests at a slight incline, and the vessel mouth slopes slightly inwards. The lower part of the body rapidly tapers inwards before joining the base, the center of which is indented. The lid features a low, flat knob. The round, upper part of the lid meets the lip at a slight angle.[Korean Collection, University of Michigan Museum of Art (2017) p. 45]<br /> &nbsp;
Korean (Korean (culture or style))
Lid for Bowl
400 – 599
Gift of Ok Ja Chang and the Chang Family
2009/2.75B
Dark gray high-fired stoneware cup. The base is tinged dark green and a natural glaze has formed on the outer surface, and on some of the inner surface. Two horizontal ridges encircle the body, and the edge rim is sharp.<br /> <br /> This is a dark gray, high-fired stoneware cup. The base is tinged dark green. Natural glaze has formed on the entire outer surface and parts of the inner surface. The edge of the rim is sharp. Two horizontal ridges encircle the body. The base of the cup is flat and rounded where it joins the body. The wall is thicker at the base than at the rim or the central body. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 72]</p>
Korean (Korean (culture or style))
Cup
400 – 599
Gift and partial purchase from Bruce and Inta Hasenkamp, purchase with funds from Elder and Mrs Sang-Yong Nam
2021/1.142
It has a flat base, globular body and straight neck with an everted rim. The color is dark grayish-blue.<br /> <br /> This is a blue-gray, high-fired stoneware cup with a handle. The mouth of the cup is slightly splayed and has a narrow, rounded rim. The body is widest at its center where a semicircular handle is attached vertically. The inner and outer surfaces show faint traces of rotation and water smoothing. The base is wide and flat and has no foot. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 70]</p>
Korean (Korean (culture or style))
Cup with small handle
400 – 599
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.310
It looks like a rescent, animal&#39;s tooth or fetus. There is a hole and some carved line on the head part.<br /> <br /> This is a comma-shaped bead made from dark green jade. Such crescent moon-shaped beads, referred to as<em> gogok</em>, were used to decorate golden crowns, clothing, and belts. This example, which was attached to other ornaments via the hole in its head, is typical of comma-shaped beads of the Three Kingdoms period. Three parallel lines are incised across the hole, from which four more incised lines radiate upwards.<br /> [Korean Collection, University of Michigan Museum of Art (2017) p.33]
Korean (Korean (culture or style))
Comma-shaped Pendant
400 – 599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/1.152
The gray jar with a little long neck has a foot with rectangular perforations. The relatively thick mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. There are wave designs on the neck and upper body. The foot whose bottom is rolled outward is a little high and wide.<br /> <br /> This is a blue-gray, long-necked, high-fired stoneware jar. The long and flared neck of the jar is divided into four sections by thin horizontal incised lines in three places. The sections are decorated by the repeated use of short, downward strokes and wave designs made from scratching the surface with an implement. The body of the jar is widest at the middle, and slightly above the widest point, two incised lines have been drawn to form a section where the same wave design is applied from right to left according to the above technique. The lower part of the body shows faint traces of a parallel paddled pattern that has almo
Korean (Korean (culture or style))
Large storage jar on cut-out pedestal foot
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.185

Japanese (Japanese (culture or style))
Mirror
400 – 599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1966/1.109
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br /> <br /> The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175
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