186 UMMA Objects
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Jose Antonio Gomez
El Sufragio de la Vida, from "Detroit Focus 2000"
1995 – 2005
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.16

Susan Kae Grant
What's Being Offered?, from "Detroit Focus 2000"
1995 – 2005
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.18

Ernestine Ruben
Untitled
2005
Anonymous gift
2006/1.157

Ryan McGinness
Hopeless Gifts to Official Culture
2000 – 20014
2008/1.151
Blue anodized aluminum with two laser-cut abstract shapes and orange, yellow, and white screen-printed designs based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.8
Square black and white photograph depicting three smoke rings that float in the air against a black backdrop. The rings appear in a diagonal pattern, one in the lower left corner, one in the center and one in the upper right corner.
Donald Sultan
Smoke Rings
2005
Gift of the artist
2009/1.472
White glazed pot with a spherical shape. The underglaze is brown and creates a mottled pattern with the white overglaze.
J.T. Abernathy
Spherical Pot
1933 – 2015
Bequest of Robert C. Metcalf
2017/2.114

J.T. Abernathy
Jar
1933 – 2018
Gift of Ellen Johnston Laing
2018/2.30

Lisa Anne Auerbach
What's All This Talk About Dying for Revolution (Sweater)
2005 – 2009
2009/2.164A
This rectangular vase is decorated in one corber with a wheel or foral design carved into the clay. The opening edges of the vase are not straight, but asymmetrical. The natural ash glaze decorates the vase with varyig shades of gray.
Kōyama Kiyoko
Vase
1995 – 2005
Gift of Lori and David London
2010/1.204
This large jar is ovular in shape, with four lines carved across its horizontal axis periodically. The jar shape turns inward from the third line from the bottom. where the fourth line serves as the base of the neck of the jar opening. The natural ash glaze is not applied evenly, but looks as ip it dripped down the sides of the jar in some areas.
Kōyama Kiyoko
Large Jar
1995 – 2005
Gift of the artist
2010/1.212
This cylindircal jar has a circular lid with a small handle. The natural ash glaze creates a mix of green, black, gray, and reddish hues.
Kōyama Kiyoko
Jar
1995 – 2005
Gift of the artist
2010/1.214
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