2115 UMMA Objects
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Waves crashing on the rocks which are mostly situated on the right bottom half of the image. The sky is gray and blue while the water is a mix of greens, blues and white.
Alice Hunt
Seascape
1848 – 1930
Gift of The Ann Arbor Art Association, in memory of Ruby S. Churchhill
1972/2.15

George Luks
Woman and Child; Seated Figure (on verso)
1867 – 1933
Museum Purchase made possible by the Friends of the Museum of Art
1972/2.37
This photograph depicts the chantry in the nave of a cathedral. A large column consumes the majority of the foreground of the image, while a patch of sunlight illuminates ornate carvings in the background.
Francis Bedford (British (modern))
Chantry in the Nave, Wells Cathedral
1850 – 1894
Gift of Margaret and Howard Bond
1979/2.103
View of several row boats with passengers moored on the edge of a body water across from a town. 
Francis Frith (British (modern))
Windsor Castle
1858 – 1880
Gift of Margaret and Howard Bond
1979/2.106

Stuart
The Cloisters of Belem
19th century
Gift of Margaret and Howard Bond
1979/2.111

Chinese (Chinese (culture or style))
Emperor Ming-huang and Yang Kuei-fei(?) Journey to Shu
1644 – 1912
Gift of Mr. and Mrs. C.D. Carter
1970/2.153

Claude Emile Schuffenecker
Peasant Woman
1851 – 1934
Gift of Mr. and Mrs. Norman Hirschl
1979/2.135

Indonesian
Dagger
19th century
Gift of Mr. William Muschenheim
1979/2.87

Sekino Jun'chiro
Portrait of a Boy: Sean …
960 – 1970
Gift of Gilbert M. Frimet
2004/1.148

James Jacques Joseph Tissot (French (culture or style))
Trafalgar Tavern, Greenwich
1878
Gift of Dr. and Mrs. Robert Aldrich
2005/2.45

James Jacques Joseph Tissot (French (culture or style))
Mon jardin a St. John's wood
1878
Gift of Dr. and Mrs. Robert Aldrich
2005/2.52
Many black-glazed vessels of this type were produced in the areas of Jeongok-ri, Uijeongbu-si, and Yeoju-si in Gyeonggi-do in the late 19th and early 20th centuries. Made from coarse, colored clay, its black-glazed surface shines like that of porcelain. It has a lot of sand and bubbles on its surface, producing a rough texture, while fragments of other vessels have become embedded in its shoulder section during firing, but its glaze is well fused, producing a smooth sheen.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.211]
Korean (Korean (culture or style))
Bottle with globular body and funnel-shaped neck
1850 – 1899
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.242
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