2071 UMMA Objects
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Laton Alton Huffman
Stump Horn Bull, Absarokee Scout
1854 – 1931
Gift of Dr. & Mrs. Michael Fauman

Laton Alton Huffman
Evening at the Round-up: Big Pumpkin Creek
1854 – 1931
Gift of Dr. & Mrs. Michael Fauman
A stream enters the composition from the lower left and cuts through a hilly landscape dotted with shrubs and stone debris. A bearded man in a striped garment and light-colored turban sits on a rock with his feet in the stream just right of center.  
Felix Bonfils (French (culture or style))
Fontaine d'Elisée - Elisa's fountain
1867 – 1879
Gift of Mr. and Mrs. W. Howard Bond
This photograph depicts a view of an ornate, colonnaded tower. Standing by the tower’s edge is a man facing away from the camera.
Samuel Bourne (British (modern))
The Fort, Exterior of the Zenana, Agra
1863 – 1875
Gift of Mr. and Mrs. W. Howard Bond

J. Peterson
Vestra Hamngatan
19th century
Gift of Mr. and Mrs. W. Howard Bond

S. Poulton
Lochiueh Castle
1857 – 1889
Gift of Mr. and Mrs. W. Howard Bond

Richard Josey
Portrait of Carlyle
1840 – 1906
Bequest of Margaret Watson Parker
Oblique view of a pylon in front of which are set an obelisk and two humanoid sculptures, half submerged in sand. A minaret peaks through the break between the two vertical elements of the pylon.
Pascal Sebah (Turkish (culture or style))
Louqsor. Le Pylône
1875 – 1885
Transfer from the Kelsey Museum of Archaeology

M. Autry
Easby Abbey, Yorkshire
19th century
Gift of Mr. and Mrs. W. Howard Bond
This painting depicts the bodhisattva Jizō standing by the bank of a river surrounded by children.  The majority of these are seated on the ground, creating small piles of rocks, but a few pull on the divinity’s robes. At a distance is a red demonic figure (oni) leaning on a staff with his arm outstretched over the water. 
Japanese (Japanese (culture or style))
The Bodhisattva Jizô with a demon and children
1700 – 1899
Gift of Susan Pratt Walton in honor of Catherine Mariotti Pratt and James Bisset
There are two cherry branches point downward. They start at the top and end in the middle of the painting. Twigs jut out from the branches and hold leaves with a reddish tint. There is a signature and seal in the bottom right of the painting.
Nishiyama Kan'ei
Cherry Branches
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art