1578 UMMA Objects
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Laton Alton Huffman
Stump Horn Bull, Absarokee Scout
1854 – 1931
Gift of Dr. & Mrs. Michael Fauman
1983/2.55

Laton Alton Huffman
Evening at the Round-up: Big Pumpkin Creek
1854 – 1931
Gift of Dr. & Mrs. Michael Fauman
1983/2.63

J. Peterson
Vestra Hamngatan
19th century
Gift of Mr. and Mrs. W. Howard Bond
1987/1.333

S. Poulton
Lochiueh Castle
1857 – 1889
Gift of Mr. and Mrs. W. Howard Bond
1987/1.334

Richard Josey
Portrait of Carlyle
1840 – 1906
Bequest of Margaret Watson Parker
1955/1.119
Photograph of large outdoor theatre. This is an overhead shot of the theatre; the stage and surrounding seats are visible.<br /><br />
Eva Caston 2017
Italian
Anfiteatro di Pompei
1855 – 1865
Transfer from the Kelsey Museum of Archaeology
1980/1.183
Photograph of an ancient amphitheatre, viewed from above.
European
Inside the Amphitheatre, Nismes
1850 – 1870
Gift of Mr. and Mrs. W. Howard Bond
1980/2.223

Edouard-Denis Baldus (French (culture or style))
Maison Carrée, Nîmes (Nismes)
1858 – 1867
Gift of Mr. and Mrs. W. Howard Bond
1980/2.227

M. Autry
Easby Abbey, Yorkshire
19th century
Gift of Mr. and Mrs. W. Howard Bond
1981/2.138
This painting depicts the bodhisattva Jizō standing by the bank of a river surrounded by children.  The majority of these are seated on the ground, creating small piles of rocks, but a few pull on the divinity’s robes. At a distance is a red demonic figure (oni) leaning on a staff with his arm outstretched over the water. 
Japanese (Japanese (culture or style))
The Bodhisattva Jizô with a demon and children
1700 – 1899
Gift of Susan Pratt Walton in honor of Catherine Mariotti Pratt and James Bisset
1986/1.190
There are two cherry branches point downward. They&nbsp;start at the top and end in the middle of the painting. Twigs jut out from the branches and hold leaves with a reddish tint. There is a signature and seal in the bottom right of the painting.
Nishiyama Kan'ei
Cherry Branches
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.192
There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground&nbsp;surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
Pheasant
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.196
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