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A haloed man is attached to a plank in the foreground of the composition. A male figure positioned behind him holds a knife to his knee while a male figure in front of him holds a knife to his wrist. A figure dressed like a church father stands watching over the scene on the right. <br />
Workshop of Michael Wolgemut
Martyrdom of St. Bartholomew
1400 – 1532
Gift of Professor Walter M. and Nesta R. Spink
2012/2.206
In this handing scroll, there are mountains in the background. There are rocks and trees scattered on a shore that leads to a body of water. In the upper right corner, there is an inscription and a seal.
Sesshū Tōyō
Winter Landscape (pair with Summer Landscape, 1970/2.150)
1467 – 1532
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1970/2.151
Shown is a complex of temple building on a lakeside. There is a small grouping of buildings on the opposite side of the lake to the left and there is a long building that runs along the right side of the lake with a passage-way to the docks on which is the end of the building. Surrounding the temple complex are pine trees, cliffs, and mist. On the bottom right of the painting is the Seal of Shūbun which lets&nbsp;us know that this is a Shūbun style ink-painting.
Japanese (Japanese (culture or style))
Lakeside Temple (Landscape in Shûbun style)
1467 – 1532
Gift of Mr. and Mrs. Province M. Henry
1955/1.264
A small figure is shown near a ship on the water. A building or house is partially hidden by hills. Trees, mountains, and clouds are strewn across the landscape with bold brishwork.
Sesshū Tōyō
Summer Landscape (pair with Winter Landscape, 1970/2.151)
1467 – 1532
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1970/2.150
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