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Results for credit_line:"Museum purchase made possible by the Margaret Watson Parker Art Collection Fund"

167 UMMA Objects (page 1/14)
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This is a red cloth covered with geometric patterns and abstract forms in the shape of peacocks. The designs and peacocks are multicolored and depicted in a repetitive format with the birds arranged in five columns and nine rows.
Indian (Indian (South Asian))
Phulkari (woman's head covering) with peacock designs
1900 – 1949
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
2003/2.57
Boldly colored monkey in a persimmon tree.  A wasp hovers near its nest hanging from a branch.
Ohara Shōson (Koson)
Monkey in a persimmon tree
1935
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1982/1.204

Syrian
Bowl - 9 fragments
13th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1961/1.188A-I

Japanese (Japanese (culture or style))
Iro-Nabeshima Plate with Fern-frond Border Design, one of five
1700 – 1732
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.100
Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
Shibata Zeshin
Plate with Floral Design, one of five
1879 – 1890
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.58
Wooden miniture model of a tower, comprised of a round base, a bar in the middle where three larger discs and six or seven small discs are inserted. A bulb-shaped ornament rests on top.
Japanese (Japanese (culture or style))
Stupa: Hyakuman tô (one of one million pagodas)
764 – 770
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1969/2.21
Bold colors depict Krishna, one of human manifestations of the Hindu god Vishnu, is seated with a woman, Radha, above him. He touches her leg, and the tips of her hands and feet glow red. She sits erect and holds a large flower, looking straight off the left edge of the picture. The two are framed in an architectural structure.
Artist Unknown, India, Punjab Hills, Mankot School
Krishna massaging the feet of Radha (a scene from the Gita Govinda?)
1725 – 1735
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1979/1.160

Chinese (Chinese (culture or style))
Bank Note (worth 200 copper coins)
Museum Purchase made possible by the Margaret Watson Parker Art Collection Fund
1985/2.79

Yu Ji (Yü Chi)
Presenting Lichee Fruit on a Carved Ice Platter
1738 – 1823
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.188

Chinese (Chinese (culture or style))
Hares in a landscape
18th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1981/2.134
In the lower third of the hanging scroll are three figures. Tao Yuanming is the larger figure on the right with his two attendants on the left. They are divided by a table. In the background is a screen which separates the figures from the landscape.
Nakabayashi Chikkei
Tao Yüan-ming
1840 – 1867
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1982/1.197
A bird is perched on a branch on the upper right with its tail extending to the left of the painting. The bottom right has a branch with a knot in the middle and a signature to the left of the knot. Coming down from the top of the print on the left is a pine branch. 
Yanyong Ding (Chinese (culture or style))
Bird of Longevity on Pine Branch
1830 – 1880
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.154
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