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Results for credit_line:"Museum purchase for the Paul Leroy Grigaut Memorial Collection"

33 UMMA Objects (page 1/3)
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This double-leaf print depicts two camels and accompanying foreign trainers or performers in fringed clothing, with ballooning pants and dark boots.  Some of the performers play instruments, while others tend to the camels.  Above both pages is writing by calligrapher Santô Kyôden describing the camels and their tour of Japan around 1821.
Utagawa Kuniyasu
Camel
1824
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.90

Utagawa Sadahide
A True View of Shops in Yokohama (part of a triptych)
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.150

Iranian (Iranian)
Qur'an manuscript page
18th century
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.95
A stoneware globular jar with straight, wide neck and direct rim, and bowstring bands around the waist and shoulder, four loop lugs connecting the neck to shoulder, and the upper half covered in a gray-green celadon glaze. 
Chinese (Chinese (culture or style))
Jar
6th century
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.88

Chinese (Chinese (culture or style))
Silk Tapestry Weave
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1972/2.285
The artist sketches two men whispering to each other on the left-hand side of the drawing. Both of them have swords tucked into their belt, and the man on the left carries his belongings in a wrapping cloth (furoshiki). There are also sketches of several animals facing different directions. On the right-hand edge, there is a upside-down sketch of a woman dressed in kimono.
Katsushika Hokusai [DELETE]
Figure and Animal Studies
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.140

Melanesian
Ceremonial Staff
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1970/2.114
A gray earthenware sculpture of a crouching dog on a platform, resting on his two front paws, mouth open and pointed ears, long tail with curled end, with polychrome mineral pigments. 
Chinese (Chinese (culture or style))
Dog
5th century
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.87

Utagawa Sadahide
A True View of Shops in Yokohama (part of a triptych)
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.151
An earthenware model of a stocky horse on short legs, dressed in a saddle blanket and saddle with a roundel on its nose, a short downward pointing tail and trimmed mane, and traces of mineral pigment. 
Chinese (Chinese (culture or style))
Horse
265 – 316
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.139
This image shows several men and women engaged in activitties in three different rooms.  At the bottom of the image, two men try to feed a young child.  To the left, a man beckons from his seat on a red mat that extends out of the image.  Piles of clothes and full cabinets add to the clutter of the scene.  Small lines of text hover near each person, identifying him.<br /><br />
This is the right panel of a tryptich (with 1969/2.144 and 1969/2.145).<br /><br />
Inscriptions: Nishimuraya Yohachi (Publisher's seal); Kunisada ga (Artist's signature)<br />
 
Utagawa Kunisada (Japanese (culture or style))
Backstage Celebrations of a Full-house Hit at the Nakamura Theater
1811 – 1814
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.143
A man is shown riding a horse, with a sword tucked into his belt. He is wearing a simple-styled premodern garment and a cap. Both the man and the horse seem tired, with their bodies bending forward and heads drooping.
Katsushika Hokusai [DELETE]
Groom and Rider
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.141
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