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58 UMMA Objects
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This small watercolor represents a view of a city on the banks of a river. A bridge in the middle ground connects the city, whose buildings run to the water's edge. A woman wearing a bright white shirt with a blue dress and a brilliant red scarf stands in the foreground. A boat covered by a red-and-white striped canopy, poled by a man in the bow, approaches the near shore.
Samuel Prout (British (modern))
Untitled (Rimini with a View of the Tiberius Bridge)
1824 – 1852
Joseph F. McCrindle Collection
2009/1.511.1
This is an ink drawing of a woman in an arched niche or at a window; she emerges from a shadowy background, and her arms are possibly crossed, or alternately her right arm is bent parallel to the picture plane, while her left arm appears to dangle (or dangle something) over the ledge. She wears a cap, and her gaze appears lowered. The image of the woman is surrounded by a marbled broder.
Rembrandt van Rijn
Woman at a Window
1625 – 1700
Joseph F. McCrindle Collection
2009/1.512
Three figures stand in a wooded clearing in the foreground of this small watercolor. A view opens out in the middle ground over a bay with a city descending from the adjacent hills to the water. A volcano smolders in the distance on the opposite side of the bay, a thick plume of smoke rising from its peak.
Samuel Prout (British (modern))
Untitled (Bay of Naples)
1824 – 1852
Joseph F. McCrindle Collection
2009/1.511.2
This small watercolor shows the view of an arch by a city waterfront. A wall closes off the left side of the street leading up to the arch, and creates a powerful sense of recession into space leading from the foreground to the monument in the middle distance. Scattered figures inhabit the street. Beyond the arch may be glimpsed the waters of a bay and a hill rising above the far shore.
Samuel Prout (British (modern))
Untitled (Ancona with a View of the Arch of Trajan)
1824 – 1852
Joseph F. McCrindle Collection
2009/1.511.4
This is an ink sketch of a man in a coat and hat walking towards the left. There is an obscured figure to the man’s right.
David Wilkie
Sketch of Two Figures Walking Left
1800 – 1841
Joseph F. McCrindle Collection
2009/1.520
An ink drawing of Jesus Christ crucified on the cross. Around the cross are three male saints, one of whom is identified as Saint Bartholomew. All three look up at Jesus while one kneels on the ground, holding with his left hand the bottom of the cross. In the distant background are buildings of a city.
Domenico Campagnola
Crucifixion with Saint Bartholomew and Two Male Saints
1525 – 1564
Joseph F. McCrindle Collection
2009/1.524
This sketch depicts a man in profile, facing toward his right. He wears a turban and an elaborate collar. On the verso is pasted a small print of James Barry's painting "The Distribution of Premiums in the Society of Arts", originally part of a series "The Progress of Human Culture" painted between 1777 and 1784. The print is smaller and more simplified than the official print Barry made after his painting published in 1792, and probably came from a book. 
Untitled (Head of a Man Wearing a Turban)
1802 – 1825
Joseph F. McCrindle Collection
2009/1.525
A sketch drawing of four men, identified as soldiers. On the bottom left a solider appears to be studying a large document. The rest of the drawing is composed of other soldiers reclining and kneeling within the space of the paper.
Salvator Rosa
Studies of Soldiers
1640 – 1673
Joseph F. McCrindle Collection
2009/1.527
An ink drawing of a thatched roof and chimney. There are four windows, three to the front of the house and one on the side next to the chimney. At both ends of the roof are two wheathervanes, identified as being from the 17th century.
Emile Bernard
Tonnerre, Rue de l'hopital, Roof with Seventeenth-Century Weathervanes
1903 – 1941
Joseph F. McCrindle Collection
2009/1.530
Wooden scultpure of the body of Jesus Christ as it would appear crucified on a cross.
Italian
Crucifixion
17th century
Joseph F. McCrindle Collection
2009/2.10
This sheet contains studies of fourteen figures in various stages of elaboration. Several of the figures are represented standing while gazing upward, including a man with an outstretched arm on the left edge of the sheet, a woman standing before a column near the center, and a man with a cross over his shoulder in the upper right corner. Two summarily sketched seated figures in the lower left corner appear to develop ideas for a similar figure placed at the foot of a column in a more detailed study near the middle of the sheet. In the upper left quadrant of the sheet appears a monk kneeling beneath a tree with a figure holding a staff standing behind him. Marked off by an octagonal frame along the lower edge is a seated female figure pointing upward with her right hand and holding a globe in her left.
Pietro Testa
Sheet of Figure Studies
1635 – 1640
Gift from the Joseph F. McCrindle Collection
2008/2.199.4
This small sketch presents a view along a waterway that passes beneath a double-arched bridge. The triangular sail of a small boat is visible just before the bridge, moored to the quai next to some sheds. A tall church with a central steeple rises on the right bank in the foreground, and two other tall buildings punctuate the middle ground and distance. The chimneys and rooflines of humbler dwellings appear on the left bank. Despite the urban setting, only a few figures may be glimpsed, including a man crossing the bridge on horseback.
Jan Josephsz van Goyen
View of a River Town with a Bridge
17th century
Gift from the Joseph F. McCrindle Collection
2008/2.199.5
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