57 UMMA Objects
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Chinese ink painting on scroll with poem, ducks and flowers.
Wang Mengbai
Pair of Mandarin Ducks (Scroll)
1915 – 1925
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.188
Chinese ink painting on a fan with drawings on the front and a poem on the back.
Wang Mengbai
Pair of Mandarin Ducks (Fan)
1915 – 1925
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.189
A woodblock print of men traveling on a brown-grey path through blue-green mountains.  In the center, traveling to the viewer's left, two men carry a covered chair that contains another man in a blue robe, followed by a man wearing a blue robe and white oval hat who carries a pack balanced on a stick on his sholder. Two other men approach on the path from the distance (viewer's left).
Utagawa Hiroshige (Japanese (culture or style))
The Fifty-Three Stations of the Tokaido (Gyosho Edition): #11 Hakone
1841 – 1842
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.195
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br />
This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br />
Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />
 
Utagawa Kuniyoshi (Japanese (culture or style))
Alphabetical Tales of Glory and Decline: Nakamura Utaemon IV as Higuchi no Jirō Disguised as the Boatman Matsuemon
1849 – 1852
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.193.2
Left panel of a triptych. The image on this panel is of a tree crossing from the lower left corner to the upper right. In the bottom right corner are red smoke and fire, a British flag, and Japanese text. The tree and sky are different shades of grey.&nbsp;
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.2
Middle panel of a triptych. The image is of two soldiers firing a cannon among trees. The soldiers are surrounded by smoke and there is a Japanese flag in the upper left corner.
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.4
Left panel of a diptych featuring a figure dressed in an elaborate robe with a crane motif. He is holding a dish in one hand and there is a smaller figure behind him. The smaller figure is holding up a wind chime decoration that features Chinese characters. Both figures are facing right.
Chinese (Chinese (culture or style))
Heavenly Officials with Symbols for Success in Examinations, Happiness, and Good Fortune (Diptych)
;1800 – 1999
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.165.1
Right panel of a diptych. Two figures riding an animal face left and there is a Chinese character to the left of the figures. The bankground is green and filled with clouds and symbolic objects.&nbsp;
Chinese (Chinese (culture or style))
Qilin Delivering Sons (Diptych)
;1800 – 1999
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.170.2
Japanese style color print on woodblock.
Utagawa Kunisada (Japanese (culture or style))
Oban
1845 – 1850
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.190
The warrior in this print looks over his left shoulder while reaching up his right sleeve. His elaborate robe is disheveled. It is hiked up at the waist and pushed off his right shoulder. A sword is visible at his side. The dock he stands on is crowded with poles, gates, and a bell. Above him, a red paper lantern hangs with the symbol “<em>yashiro</em>”.<br /><br />
This is the left panel of a triptych.<br /><br />
Publisher's seal: Hanmoto, Izutsuya; Tori [Rooster] 4 aratame (Censor's seals); Otowaya Shinsui
Utagawa Kunisada (Japanese (culture or style))
Iris-colored Hatsuneya: Bandō Hikosaburō as Otowaya Shinsui
1861
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.192.1
This print depicts the interior of a theater. Several actors move about the set at the top of the print. Individuals in the audience are minutely detailed. Near the left of the stage, a pair of half-naked men brawl while an actor chides them from above. Near the bottom of the image, several in the audience smoke long pipes. A man holds the hand of a child on a raised platform near the bottom left of the print.<br /><br />
Inscriptions: Nishimura and unidentified others (​Publisher's seal); Torii Kiyotsune ga (Artist's signature)<br />
 
Torii Kiyotsune
Perspective Print of the Interior of the Nakamura Theater Featuring the Amakawa Scene of The Treasury of Loyal Retainers
1755 – 1765
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.200
In this print, a warrior prepares to fight. He holds one sword in his left hand, and several others are visible on his person. His robe has a pine pattern. A bamboo mat is visible at the left edge of the print.<br />
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This is the right panel of a tryptich (with 2011/2.199.1 and 2011/2.199.2).<br /><br />
Inscriptions: Sugawara denju; Matsuomaru; Kuniyoshi ga (Artist's signature); San, Ibasen han (Publisher's seal); Mera, Murata (Censors' seal)<br />
 
Utagawa Kuniyoshi (Japanese (culture or style))
Sugawara no Michizane and the Secrets of Calligraphy: Arashi Kichisaburō III as Matsuōmaru
1850
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.199.3
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