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Results for credit_line:"Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi"

57 UMMA Objects (page 1/5)
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Chinese ink painting on scroll with poem, ducks and flowers.
Wang Mengbai
Pair of Mandarin Ducks (Scroll)
1915 – 1925
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.188
Chinese ink painting on a fan with drawings on the front and a poem on the back.
Wang Mengbai
Pair of Mandarin Ducks (Fan)
1915 – 1925
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.189
A woodblock print of men traveling on a brown-grey path through blue-green mountains.  In the center, traveling to the viewer's left, two men carry a covered chair that contains another man in a blue robe, followed by a man wearing a blue robe and white oval hat who carries a pack balanced on a stick on his sholder. Two other men approach on the path from the distance (viewer's left).
Andō Hiroshige (Japanese (culture or style))
The Fifty-Three Stations of the Tokaido (Gyosho Edition): #11 Hakone
1841 – 1842
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.195
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br />
This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br />
Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />
 
Utagawa Kuniyoshi (Japanese (culture or style))
Alphabetical Tales of Glory and Decline: Nakamura Utaemon IV as Higuchi no Jirō Disguised as the Boatman Matsuemon
1849 – 1852
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.193.2
Left panel of a triptych. The image on this panel is of a tree crossing from the lower left corner to the upper right. In the bottom right corner are red smoke and fire, a British flag, and Japanese text. The tree and sky are different shades of grey.&nbsp;
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.2
Middle panel of a triptych. The image is of two soldiers firing a cannon among trees. The soldiers are surrounded by smoke and there is a Japanese flag in the upper left corner.
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.4
Left panel of a diptych featuring a figure dressed in an elaborate robe with a crane motif. He is holding a dish in one hand and there is a smaller figure behind him. The smaller figure is holding up a wind chime decoration that features Chinese characters. Both figures are facing right.
Chinese (Chinese (culture or style))
Heavenly Officials with Symbols for Success in Examinations, Happiness, and Good Fortune (Diptych)
;1800 – 1999
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.165.1
Right panel of a diptych. Two figures riding an animal face left and there is a Chinese character to the left of the figures. The bankground is green and filled with clouds and symbolic objects.&nbsp;
Chinese (Chinese (culture or style))
Qilin Delivering Sons (Diptych)
;1800 – 1999
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.170.2
In this print, a woman wields a large cross-shaped pole, looking over her right shoulder.  To her left, a litter rests on the dock with a canopy of cherry blossoms.  Above her are two red paper lanterns; the one on the right has the character “<em>s</em><em>ō</em>”; the lantern on the left has the character “<em>ware</em>”.<br /><br />
This is the right panel of a triptych.<br /><br />
Inscription: Hanmoto, Izutsuya (Publisher's seal); Tori [Rooster] 4 aratame (Censor's seals); Yamatoya Enshi<br />
 
Utagawa Kunisada (Japanese (culture or style))
Iris-colored Hatsuneya: Iwai Kumesaburō III as Yamatoya Enshi
1861
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.192.3
In this print, a grey-robed man with unbound hair looms over a warrior who is half-kneeling on the ground. The warrior’s robes are patterned with plum blossoms, and he carries several swords.  Behind him, a wheel and bamboo mat are visible in disarray.<br /><br />
This is the center panel of a tryptich (with 2011/2.199.1 and 2011/2.199.3).<br /><br />
Inscriptions: Fujiwara Shihei; Umeomaru; Kuniyoshi ga (Artist's signature); San (Publisher's seal); Mera, Murata (Censors' seal)<br />
 
Utagawa Kuniyoshi (Japanese (culture or style))
Sugawara no Michizane and the Secrets of Calligraphy: Bandō Mitsugorō IV as Fujiwara Shihei and Seki Sanjūrō III as Umeōmaru
1850
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.199.2
Image of an interior scene in which a figure is fighting an animal (a large mouse) while other figures look down from a balcony.<br /><br />
This is the right print of a triptych (with 2015/2.157.2 and 2015/2.157.3).
Utagawa Kunisada (Japanese (culture or style))
Puppeteer Yoshida Senshi's New Quick-change Play at Yūki Theater
1832
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.157.1
One figure with a blue robe and a broken staff in front of a painted panel. The figure is in the lower left corner and looking to the viewer&#39;s right. The scene includes Japanese text.
Utagawa Kunisada (Japanese (culture or style))
Kabuki Scene with Samurai (Oban Diptych)
1845 – 1854
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.158.1
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