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Results for credit_line:"Gift of Professor Diane M. Kirkpatrick"

79 UMMA Objects (page 1/7)
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Sonia Sheridan
Untitled
1969
Gift of Professor Diane M. Kirkpatrick
2000/2.10.2

Sonia Sheridan
Untitled
1969
Gift of Professor Diane M. Kirkpatrick
2000/2.10.5

Sonia Sheridan
Untitled
1969
Gift of Professor Diane M. Kirkpatrick
2000/2.10.8
This print has a large panel in the center with a grid pattern in dark blue, orange, green and pink. It is bordered on the left and right by a grid of tiny dark blue dots on a light blue background and a vertical band of dark blue dashes. At the top, there are two rows of small dark blue squares on a light blue background, and a single dark blue band above it. At the base, there is text in light blue on a dark blue panel, which reads: "MEMORY MATRIX. MEMORY CAPACITY - The amount of information which a memory unit can store. See Capacity. MEMORY, CORE - See Core Memory. MEMORY CYCLE - An operating consisting of reading from and writing into memory. MEMORY DUMP - A process / of writing the contents of memory consecutively in such a form that it can be examined for computer or program errors. MEMORY, EXTERNAL - See External Memory. MEMORY FILL - Placing a pattern of characters in the memory registers not in use / in a particular problem, to stop the computer if the program, through error, seeks instructions take
Sir Eduardo Paolozzi (British (modern))
Memory Matrix
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.1
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi (British (modern))
Horizon of Expectations
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
The majority of this print is blank, except for a series of photos and patterns on the center-left. There are three main sections. At the top are a series of horizontal bands; some are just lines in maroon, pink, red, green and yellow, and one large band has a red checker-board pattern on a maroon background. Below, there are two photographs: each one shows a different group of performers in costume lined up on display.
Sir Eduardo Paolozzi (British (modern))
New Semester Reward of the Oppressed
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.17
This colorful, horizontally-oriented print has three main scenes: one vertical on the right, and two stacked horizontal scenes on the left. On the right, there are a series of colored arrows that start in the top corners and move down, coming together through a red and green checkered ring, and then separated back out through white bands to each side. In the top left scene, there is a photo of a person in a car; the car's back "suicide door" is open. On the bottom left, there is a photo of a circuit board above a series of squares and checkers at the base.
Sir Eduardo Paolozzi (British (modern))
Totems and Taboos of the Nine-to-Five Day
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.19
This colorful print has a series of scenes in four quadrants with a yellow-orange frame. All of the images are blurred, likely because the color plates did not line up with the registration for this proof. In the top left, there is a image of soldiers leaning over next to a small statue made from the photograph "Raising the Flag on Iwo Jima." In the lower left, there is an image of a woman, smiling and holding flowers. In the top right, there are three images (top to bottom): circuit board, doubled image of the Mr. Peanut cartoon, and a partial American flag. In the lower right, there are two blurry images: the top image is abstracted and the bottom image shows two scientists working on what appears to be a space craft.
Sir Eduardo Paolozzi (British (modern))
Decency and Decorum in Production
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.25
This print has a number of cut out images put together to create the composition within the print. In the foreground, there is a female maid and a man in causal attire, who are tied at the waist with rope, and to their left is a girl dressed in heels and pearls, holding a baby and standing in front of a pram. In the background, there is a car filled with a band of musicians, playing music, and pasted on top of the front of the car is a woman in a flowy jumpsuit holding onto a large cresent moon.
Sir Eduardo Paolozzi (British (modern))
Hermaphroditic Children from Transvestite Parents
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.30
This dark maroon print shows a frontal, three-quarter view of a robotic female who looks off to the left. 
Sir Eduardo Paolozzi (British (modern))
Twenty Traumatic Twinges
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.48
A portrait image in two tones of blue printed slightly off match, showing a man at the center dressed in a white shirt, tie and slacks, with dark-rimmed glasses. The man is leaning over a automoton/robot, which is seated to the left of him. On the right and to the back, are two more standing robots. Each robot has humanoid features like a face, torso, arms, hands, legs, and feet with boots on. Two of the robots, one seated and one to the back at the center, have their internal workings revealed with their central torso panel removed, showing wires and indeterminate parts. 
Sir Eduardo Paolozzi (British (modern))
Watch out for miracles... new hope for better babies
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.50
Photograph of a sculptural bust on top of a pile of rocks with a stem of flowers growing alongside.
André Kertész (American (North American))
Poet's Garden
1950
Gift of Professor Diane M. Kirkpatrick
2000/2.16
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