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Results for credit_line:"Gift of Dr. James Hayes"

232 UMMA Objects (page 1/20)
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Hokushū
Sawamura Kunitarô as the geiko [female entertainer] Kikuna
1810 – 1830
Gift of Dr. James Hayes
2003/1.602
A man stands in front of a window, scowling. He holds a paddle in both hands. Cherry blossoms decorate his inner robe, shown under the half-removed outer robe decorated by robed figures. His head is covered by a cloth.<br /><br />
Inscriptions: Katsukawa Shunkō ga (Artist's Signature)<br /><br />
 
Katsukawa Shunkō (Japanese (culture or style))
Sawamura Sōjūrō III
1770
Gift of Dr. James Hayes
2003/1.408
This is a print of a woman kneeling on the floor. She wears a red and blue robe with a black sash. Her hair has matching decorations. She holds an object in her left hand. Behind her is a black staircase up to a raised platform with a green floor.<br />
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Inscriptions: Artist’s signature: Kuinchika ga; Publisher’s seal: Hanmoto, Izutsuya; Censor’s seal: Ataratme; Omiwa, Sawamura Tanosuke<br />
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This is the right panel of a diptych.
Toyohara Kunichika (Japanese (culture or style))
The Teachings for Women, Scene of Mikasayama Palace: Sawamura Tanosuke III as Omiwa
1864
Gift of Dr. James Hayes
2003/1.410.2

Utagawa Kunisada (Japanese (culture or style))
Segawa Kikunojô [V] as Sakuraya no Koman, holding a letter on a balcony
1815 – 1831
Gift of Dr. James Hayes
2003/1.428
The woman in this print sits below a bare tree branch.  She wears a blue robe with white swirls and an outer robe with blue and orange leaves.<br />
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Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: Kawashō han; Censor’s seal: kiwame; Nyōbō O[undeciphered characters], Nakamura Karoku
Utagawa Kunisada (Japanese (culture or style))
Nakamura Karoku [I], as the wife, …
1827 – 1832
Gift of Dr. James Hayes
2003/1.438

Utagawa Kunisada (Japanese (culture or style))
Onoe Eizaburô [III] as the Danshichi wife Okaji, carrying a teacup on a tray
1831 – 1844
Gift of Dr. James Hayes
2003/1.440
The woman in this print is hunched over, showing her back to the viewer and holding a sandal behind her.  She wears a white outer robe with colourful leaves and stands under a flowering tree.<br />
 <br />
Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: sa; Censor’s seal: kiwame; Tsubone Iwafuji, Ichikawa Danjūrō
Utagawa Kunisada (Japanese (culture or style))
Ichikawa Danjûrô [VII or VIII] as Tsubone Iwafuji (old woman carrying a sandal, under a cherry tree)
early 1820s - early 1840s
Gift of Dr. James Hayes
2003/1.446

Utagawa Kunisada (Japanese (culture or style))
Iwai Kumesaburô [III] as the Danshichi wife Okaji, sewing
1832 – 1844
Gift of Dr. James Hayes
2003/1.448
This print shows four individuals. The woman standing on the left wears a long robe decorated at the bottom and carries a flowering tree branch over her shoulder. The woman on the right wears a green robe covered by a black outer-robe with white crests. Her head is covered in a black wrap. A woman squats beneath them with a baby on her back. She wears blue and pink robes.<br /><br />
Inscriptions: Ueyo (Publisher's seal); Kiwame + futakata (Censor's seals); Kunisada ga (Artist's signature); Iwai Hanshirō (Title) <br />
 
Utagawa Kunisada (Japanese (culture or style))
The Scandalous Love of Osome and Hisamatsu: Iwai Hanshirō V in three out of seven roles, Osome's mother Teishō, Osaku, and Omitsu
1816 – 1821
Gift of Dr. James Hayes
2003/1.457
In this picture, a woman looks downward with a folded piece of paper in her mouth. Her hands are clasped around her elaborate outer robe. Her long hair flows down her back, with shorter strands around her face and shoulders. The scene behind her is of mountains and trees against a bright blue sky.<br /><br />
Inscriptions: Mitate sanjūrokkasen no uchi; Tokiwa Gozen; Mera &amp; Watanabe (Censors' seal); ne 11 (Date); Toyokuni ga (Artist's signature); Yokogawa Horitake (Carver's seal); Kichi, Isekane (Publisher's seal)<br />
 
Utagawa Kunisada (Japanese (culture or style))
Actors Compared with the Thirty-six Poet Immortals: Iwai Tojaku I as Tokiwa Gozen
1852
Gift of Dr. James Hayes
2003/1.462
In this picture, a woman is bound by a chord of rope around her shoulders. Her hair is dishevelled, and a piece of it is clamped in her mouth. She looks off to her right. Snow-covered trees emerge from the background against a dark sky.<br /><br />
Inscriptions: Mitate sanjūrokkasen no uchi; Urazato; Censors' seal: Hama &amp; Magome; ne 9; Artist's signature: Toyokuni ga; Carver's seal: Horitake; Publisher's seal: Kichi, Isekane<br />
 
Utagawa Kunisada (Japanese (culture or style))
Actors Compared with the Thirty Six Poetic Immortals: Bandō Shūka I as Urazato
1852
Gift of Dr. James Hayes
2003/1.463
In this picture, a woman smiles mischievously, facing her right. She is wearing two layers of robes, one red with white patterns, matching her hair tie, and one blue with pink and yellow flowers. One hand holds onto a large rock as she leans over it. Behind her a mountain and port are visible under a dark sky.<br /><br />
Inscriptions: Mitate sanjūrokkkasen no uchi; Matsura Sayohime; Toyokuni ga (Artist's signature); Horitake (Carver's seal); Kichi, Isekane (Publisher's seal); Hama &amp; Magome, ne 9 (Censors' seal)<br />
 
Utagawa Kunisada (Japanese (culture or style))
Actors Compared with the Thirty-six Poet Immortals: Iwai Kumesaburō III as Matsuura Sayohime
1852
Gift of Dr. James Hayes
2003/1.466
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