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Results for credit_line:"Gift of Dr. James Hayes"

232 UMMA Objects (page 1/20)
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A man stands in front of a window, scowling. He holds a paddle in both hands. Cherry blossoms decorate his inner robe, shown under the half-removed outer robe decorated by robed figures. His head is covered by a cloth.<br /><br />
Inscriptions: Katsukawa Shunkō ga (Artist's Signature)<br /><br />
 
Katsukawa Shunkô (Japanese (culture or style))
Sawamura Sōjūrō III
1770
Gift of Dr. James Hayes
2003/1.408
The woman in this print is dressed in an elaborate robe of many layers and colors.  The sash, tied in the front, is beige with gold and blue patterns.  Her hair is decorated with large pins, and she holds a folded paper in her hand.  A sword is visible next to her, and there are lines of calligraphy in the space above her.<br />
 <br />
Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: Tsutakichi; Censor’s seal: Kiwame; Shiratama, Iwai Shijaku
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as the courtesan (oiran) Shiratama
1822 – 1844
Gift of Dr. James Hayes
2003/1.429
In this print, a woman stands next to a bamboo fence.  She wears a black robe with a grey sash.  A blue and white cloth covers her head.  Branches of a tree descend from the top of the print behind her.<br />
 <br />
Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: To, Yamaguchi han; Censor’s seal: Kiwame; Nyōbō Oroku, Iwai Shijaku
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as the wife, Oroku
1822 – 1844
Gift of Dr. James Hayes
2003/1.433
The woman in this print wears several layers of elegant white, red, and black robes. Her outer robe has an orange crest with five leaves and three flowers. Her hair is held up by a long pin.  Her right arm is bent over bundles of fabric, and a hand appearing from off of the print seems to push against her chest. The background behind her is split diagonally, blue on the left and red on the right.<br /><br />
This is the center panel of a triptych (with 2003/1.417.1 and 2003/1.417.3).<br /><br />
Inscriptions: Chūrō Onoe: Bandō Hikosaburō; Meshitsukai Mutsu: Oboe Kikugorō; Inu 4 (Censor's seal); Man, hanmoto, Nihonbashi Manson, Tōri Ichi (Publisher's seal); Watanabe Horiei (Carver's seal); Toyohara Kunichika hitsu (Artist's signature)
Toyohara Kunichika (Japanese (culture or style))
Iruma Mansion Kabuki Picture Book: Nakamura Shikan IV as Lady-in-waiting Iwafuji
1874
Gift of Dr. James Hayes
2003/1.417.2

Utagawa Kunisada (Japanese (culture or style))
Iwai Kumesaburô [III] as Koman, in a boat, scattering tissues
1832 – 1844
Gift of Dr. James Hayes
2003/1.442

Utagawa Kunisada (Japanese (culture or style))
Iwai Kumesaburô [III] as the Danshichi wife Okaji, sewing
1832 – 1844
Gift of Dr. James Hayes
2003/1.448
A simply dressed man looks toward his left.  His hand is raised over his chest, and his hair is dishevelled.  He holds a small knife in his right hand.<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Memorial Portrait of Ichikawa Danjurō VIII
1854
Gift of Dr. James Hayes
2003/1.492

Utagawa Kuniyoshi (Japanese (culture or style))
Unidentified actors as Kyôya Mansuke and wife, in Kyôya (pair w/ 20003/1.515.1)
1847 – 1848
Gift of Dr. James Hayes
2003/1.515.2

Utagawa Kuniyoshi (Japanese (culture or style))
Unidentified actors as the wife, Kaoyo gozen and the lady-in-waiting Orei
1847 – 1848
Gift of Dr. James Hayes
2003/1.516

Utagawa Kuniyoshi (Japanese (culture or style))
A pair of unidentified actors
1847 – 1853
Gift of Dr. James Hayes
2003/1.518

Utagawa Kunisada (Japanese (culture or style))
Sawamura Tosshô [I] as Izutsuya Denbei; two-page spread from a printed book
1831 – 1844
Gift of Dr. James Hayes
2003/1.459

Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
53 Stages of the Tôkaidô: Hiratsuka / Manchô musume Okoma
1852
Gift of Dr. James Hayes
2003/1.464
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