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Results for classification:"vase"

172 UMMA Objects (page 1/15)
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This vase takes the shape of a double gourd, with a large pear-shaped bottom topped by a smaller oval shape. The vase is decorated with overgalze enamels, primarily with an overall pattern of chrysanthemums. The design is also interspersed with plum blossoms, peonies, and auspicious birds.
Japanese (Japanese (culture or style))
Imari vase in the shape of a double gourd, with overall design of chrysanthemums
1820 – 1850
Gift of the William T. and Dora G. Hunter Collection
2002/2.11
black dyed wood vase with exggerated texture fibers
Dewey Garrett
Black Palm
1997
Gift of Robert M. and Lillian Montalto Bohlen
2002/2.137
A globular vase tapering to the base and to a tall flaring neck with dish-shaped mouth.  There are two double coiled handles applied to shoulders.  It is covered in gray-green glaze.
Chinese (Chinese (culture or style))
Vase
581 – 618
Gift of Ping and Zenobia Lee
2005/2.80
The exterior of this three-sided triangular based vase is decorated with lines that curve together from one edge of the vase to the next. The ash glaze creates a greenish brown color, which pools and creates darker tones in some areas. The edges are not straight, but rough and bumpy.
Kōyama Kiyoko
Vase
1995 – 2005
Gift of the artist
2010/1.211
Medium-sized Satsuma ware jar. The body of the jar is brown while the upper portion around the mouth is a rich blue glaze.
Japanese (Japanese (culture or style))
Satsuma Ware Jar
1650
Gift of Whitmore Gray, wedding gift from Charles Freer to JS and Harriet Gray
2013/2.1
The vase uses Shigaraki clay and the wood-firing process.  The deformities and imperfections are intentional, and in Iga style.  It has a lopsided lip edge at the top, with a deep indentation circling the vase just below it.  The texture of this piece is splotchy and ridged, and the colors are earth tones, ranging from tans to dark, forest greens.
Takahashi Rakusai III
Shigaraki Ware Flower Vase
1960 – 1963
Museum Purchase
1963/2.77
This vase in iridescent glass consists of a large swelling shoulder that tapers towards a narrow base. The decoration in mauve, pink, blue and brown includes feather designs, including peacock tail "eye" design.
Louis Comfort Tiffany
Vase
1896 – 1900
University purchase 1930, transferred to the Museum of Art, 1972/2.200
1972/2.200
This vase is in the baluster shape and has a fine turquoise blue crackled glaze. It has been broken in many pieces and restored. The composition of the body is in line with typical pottery techniques found in major centers of the Iranian Islamic world which utilized a frit body covered with glaze. 
Iranian (Iranian)
Vase
1500 – 1699
Transfer from the College of Architecture and Design
1972/2.128

Chinese (Chinese (culture or style))
Two-handled Vase
1745 – 1755
Transfer from the College of Architecture and Design
1972/2.109

Japanese (Japanese (culture or style))
Ko-kiyomizu ware flower vase with painted design of plum and bamboo
1615 – 1868
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/2.76

Markham Art Pottery
Vase
1900 – 1910
Gift of Harriet Dyer Adams, In memory of Alice Norton and Charles Christopher Adams
1978/1.169
A loosely wheel-thrown, gray stoneware, unglazed vase of <em>meiping</em> (梅瓶) form, tall and tapered with coarse inclusions. It has wide shoulders and a narrow mouth with a small neck. Uneven contour and visible throwing lines leave a ribbed surface, showing kiln effects. 
Chinese (Chinese (culture or style))
Vase
14th century
Gift of Gail and Jonathan Holstein.
1985/2.128
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