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Results for classification:"vase"

172 UMMA Objects (page 1/15)
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This vase takes the shape of a double gourd, with a large pear-shaped bottom topped by a smaller oval shape. The vase is decorated with overgalze enamels, primarily with an overall pattern of chrysanthemums. The design is also interspersed with plum blossoms, peonies, and auspicious birds.
Japanese (Japanese (culture or style))
Imari vase in the shape of a double gourd, with overall design of chrysanthemums
1820 – 1850
Gift of the William T. and Dora G. Hunter Collection
black dyed wood vase with exggerated texture fibers
Dewey Garrett
Black Palm
Gift of Robert M. and Lillian Montalto Bohlen
A globular vase tapering to the base and to a tall flaring neck with dish-shaped mouth.  There are two double coiled handles applied to shoulders.  It is covered in gray-green glaze.
Chinese (Chinese (culture or style))
581 – 618
Gift of Ping and Zenobia Lee
The exterior of this three-sided triangular based vase is decorated with lines that curve together from one edge of the vase to the next. The ash glaze creates a greenish brown color, which pools and creates darker tones in some areas. The edges are not straight, but rough and bumpy.
Kōyama Kiyoko
1995 – 2005
Gift of the artist
Medium-sized Satsuma ware jar. The body of the jar is brown while the upper portion around the mouth is a rich blue glaze.
Japanese (Japanese (culture or style))
Satsuma Ware Jar
Gift of Whitmore Gray, wedding gift from Charles Freer to JS and Harriet Gray
The vase uses Shigaraki clay and the wood-firing process.  The deformities and imperfections are intentional, and in Iga style.  It has a lopsided lip edge at the top, with a deep indentation circling the vase just below it.  The texture of this piece is splotchy and ridged, and the colors are earth tones, ranging from tans to dark, forest greens.
Takahashi Rakusai III
Shigaraki Ware Flower Vase
1960 – 1963
Museum Purchase
This vase in iridescent glass consists of a large swelling shoulder that tapers towards a narrow base. The decoration in mauve, pink, blue and brown includes feather designs, including peacock tail "eye" design.
Louis Comfort Tiffany
1896 – 1900
University purchase 1930, transferred to the Museum of Art, 1972/2.200
This vase is in the baluster shape and has a fine turquoise blue crackled glaze. It has been broken in many pieces and restored. The composition of the body is in line with typical pottery techniques found in major centers of the Iranian Islamic world which utilized a frit body covered with glaze. 
Iranian (Iranian)
1500 – 1699
Transfer from the College of Architecture and Design

Chinese (Chinese (culture or style))
Two-handled Vase
1745 – 1755
Transfer from the College of Architecture and Design

Japanese (Japanese (culture or style))
Ko-kiyomizu ware flower vase with painted design of plum and bamboo
1615 – 1868
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Markham Art Pottery
1900 – 1910
Gift of Harriet Dyer Adams, In memory of Alice Norton and Charles Christopher Adams
A loosely wheel-thrown, gray stoneware, unglazed vase of <em>meiping</em> (梅瓶) form, tall and tapered with coarse inclusions. It has wide shoulders and a narrow mouth with a small neck. Uneven contour and visible throwing lines leave a ribbed surface, showing kiln effects. 
Chinese (Chinese (culture or style))
14th century
Gift of Gail and Jonathan Holstein.
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