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Between and Mortarboard


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Results for classification:"Mixed Media"

40 UMMA Objects (page 1/4)
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Black paint from the top center to the bottom right with small white spots throughout 
Suzanne McClelland (American (North American))
Them
1992 – 1993
Gift of Steve Shane in honor of Sonia Shaenboen
2017/2.3
This is a collage of black and white photographs showing parts of automobiles including mirror images of some of them, making the near symmetry a bit syncopated. There are repeated photos of two different couples, one of a man and a woman, the other of two men, photos of textiles and a photo of woman wearing similar textile, and a large hat in the bottom left corner. 
George Vargas
Temple of Autos
1984
Gift of the artist
2004/1.155
A white rectangular anodized aluminum plate with two laser-cut abstract designs.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.9
White rectangular anodized aluminum plate with two laser-cut abstract designs, and white, yellow, and blue screen-printed designs. The white designs reference the shape of the floorplan of the UM Duderstadt Center. 
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.10
This is a series of seven photos depicting a variety of hanging forms in an array of colors and black.  In some cases, paper in various colors is layered on top of the photos
Sam Gilliam (American (North American))
D. Volume Study
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.4.A-H
This work is a double sided, mixed-media creation. One side is dominated by a large grey form in the shape of an upside down house. At the top, brightly colored strips of paper are woven into the grey area. The lower half of the background is a bright yellow and deep purple. Around the edges, geometric squares and circles of red, orange, green, and blue have been stamped in ink. Thin lines form circular and hexagonal shapes in the lower corners as well. The reverse side shows a black and grey checkerboard pattern, overlaid with geometric shapes in the upper portion in blues, oranges, yellows, reds, and greens. There are also dark semi-circles forming a border around the image. Stitching cuts across the work, in a large "U" shape, reach down towards the bottom of edge of the work.
Alan Shields (American (North American))
Untitled
1971
Gift of Eugene K. Collins
1981/2.188
A print of dashed lines and indefinite abstract shapes.<br /><br />
EC 2017
Andy Warhol (American (North American))
Untitled (Mao), from the portfolio "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.132
Canvas with an oval-shaped portion of thickly applied cracking black paint on the right of the piece. The left half of the canvas is covered in clay that has been smeared inward from the edge. Both the clay and black paint are applied over a blue, black, and white painted canvas. 
Suzanne McClelland (American (North American))
Someday
1992
Gift of Steve Shane in honor of Professor Emerita Diane Kirkpatrick
2017/2.4
This piece is a collage with metal strips, a crushed can, a profile painting of a face on top of stencilled letters, numbers, and dollar sign.
George Vargas
Michael
1988
Gift of the artist
2004/1.154
This piece rests in a wooden frame and consists of three photographs assembled in a cubist-like way. The photographs show the interior of the University of Michigan's Duderstadt Center. Honey comb-like laser cut transparencies seem to hang from the ceiling and black CAD drawings, and a small red triangle appears on the left side of work.The artist and another man are shown in the lower right corner looking at these decorative additions to the building. 
Sam Gilliam (American (North American))
A. Media Center
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.1
Blue anodized aluminum with two laser-cut abstract shapes and orange, yellow, and white screen-printed designs based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.8

Martin Johnson
Inure Self
1984
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.234
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