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Results for artist_nationality:"Luba (culture or style)"

26 UMMA Objects (page 1/3)
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This standing female <em>nkisi mihasi</em>, or “benevolent” power figure, has been carved in light wood and exhibits many of the typical traits associated with the Luba Shankadi style, and more specifically, with the Mwanza center of production. These features include its disproportionately large, ovoid face, half open coffeebean-like eyes, wide mouth with full lips, triangular nose, high, convex forehead, cascading coiffure, protruding umbilicus, and, diamond-shaped tattoos carved in relief on the belly and in horizontal lines on the lower back and upper thighs. The figure stands with slightly flexed knees and with its arms bent at the elbows such that its palms rest upon the breasts, a pose commonly seen throughout Luba figural depictions of women.
Luba (Luba (culture or style))
Power Figure
1875 – 1885
Gift of Candis and Helmut Stern
2005/1.215
This set of bellows features an elegantly carved male head as a finial. Sitting atop a cylindrical neck that has been pierced with a metal ring, the polished male head features an ovoid face; a high forehead with a vertical line; scarified lines across the cheekbones; and, a coiffure with a finely, detailed pattern at the front and parted down the center.<br />
The man’s “torso” is a trapezoidal piece of wood while two long iron rods functioning as handles represent his “legs.” A pair of round chambers—one on each side of his torso—would originally have had leather bags attached to them, allowing for the pumping of air to heat a fire or forge.
Luba (Luba (culture or style))
Bellows
1925 – 1935
Gift of Candis and Helmut Stern
2005/1.217

Luba (Luba (culture or style))
Stool
1875 – 1900
Gift of Robert and Lillian Montalto Bohlen
2008/2.293
With head.
Luba (Luba (culture or style))
Kakishi
Gift and partial purchase from the estate of Kurt Delbanco in honor of Nicholas Delbanco
2017/1.645
A conical stopper, topped by an anthropomorphic representation of a female head with elaborate coiffure. 
Luba (Luba (culture or style))
Stopper
1895 – 1905
Museum purchase made possible by the Betty J. Lockett Memorial Fund
1984/2.40

Luba (Luba (culture or style))
Carved Wood Figure
1945 – 1955
Given in memory of Sidney H. Roberts
1987/1.242
As one of a pair of delicately carved, ivory statuette-pendants, this female figure stands upright, as opposed to her counterpart whose head and upper body lean slightly forward. Both, however, have a round head with a convex face; large, coffeebean-shaped eyes; a rectangular mouth with prominent lips; a cylindrical neck; and, a coiffure decorated on the back with a cruciform pattern. Additionally, both female figures clutch their breasts in their hands. The statuettes have been pierced through, allowing them to suspend from a string.
Luba (Luba (culture or style))
Power Figure
1845 – 1855
Gift of Candis and Helmut Stern
2005/1.220.1
Two carved female figures, holding one arm over each other's back, an the other resting on the stomach decorated with lozenge motifs and scarification patterns; one figure is wearing a rope around the middle. A curving shaft supports the figures, broadening from the metal tip at the bottom into two bulging forms, divided by a dark black line through the middle, and covered in a carved pattern of triangles and lines on both front and back. The staff is heavy, with a nice shiny patina.
Luba (Luba (culture or style))
Staff
1900 – 1940
Gift of Margaret H. and Albert J. Coudron
2001/2.76

Luba;Songye (Luba (culture or style);Songye)
Janus Headed Axe
20th century
Gift of Susan B. and John F. Ullrich
1998/1.70
This Luba Kabongo work depicts a half-figure wearing a striated mask, known as a <em>kifwebe</em>. Decorated with kaolin (white clay) and black pigment, the anthropomorphic mask features a round, convex forehead, a vertical ridge running down from the forehead and forming the nose, long, narrow eyes, and, a wide, rectangular mouth. A highly dense fringe of vegetable fiber encircles the wooden face, completing the mask. A shirt stitched of monkey skin covers the figure’s body and existing arm (one arm has broken off); the uncarved hand is exposed and resembles a paddle. Interestingly, the arms have been designed to be movable, suggesting that this may have been used as a puppet.
Luba (Luba (culture or style))
Figure
1915 – 1925
Gift of Candis and Helmut Stern
2005/1.216
This woodcarved, cephalomorphic divination pestle is representative of the Luba Shankadi style of figural sculpture, which is characterized by an abstract and schematic form. The head features a convex face, diamond-shaped eyes carved in relief, a ridged forehead and nose, an oblong mouth, and a long, cylindrical neck. The figure’s terraced, cascading coiffure is typical of hairstyles found in the Shankadi region. Four strands of china beads, white and blue in color, have been tied around the pestle and sit atop its circular base.
Luba (Luba (culture or style))
Pestle
1875 – 1885
Gift of Candis and Helmut Stern
2005/1.221
One of a pair of delicately carved, hippopotamus ivory statuette-pendants.  This female figure's head and upper body lean slightly forward, as opposed to her counterpart who stands upright.  Both, however, have been carved by the same hand and display the hallmark characteristics of the northeastern Luba stylistic form, namely: the round head with a convex face, large, coffeebean-shaped eyes, a rectangular mouth with prominent lips, a cylindrical neck, and a coiffure decorated on the back with a cruciform pattern. Additionally, both female figures clutch their breasts in their hands, a pose commonly seen among Luba sculptures of women. The statuettes have been pierced through, allowing them to suspend from a string.
Luba (Luba (culture or style))
Power Figure
1845 – 1855
Gift of Candis and Helmut Stern
2005/1.220.2
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