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Between and Mortarboard


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Results for artist_nationality:"British (modern)"

330 UMMA Objects (page 1/28)
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Image of men with donkeys and luggage with ruins in the background.
David Roberts (British (modern))
Ruins of the Church of St. Jean de Sebaste
1839
Gift of George H. Forsyth and Ilene H. Forsyth
2018/1.314
This dark maroon print shows a frontal, three-quarter view of a robotic female who looks off to the left. 
Sir Eduardo Paolozzi (British (modern))
Twenty Traumatic Twinges
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.48
A portrait image in two tones of blue printed slightly off match, showing a man at the center dressed in a white shirt, tie and slacks, with dark-rimmed glasses. The man is leaning over a automoton/robot, which is seated to the left of him. On the right and to the back, are two more standing robots. Each robot has humanoid features like a face, torso, arms, hands, legs, and feet with boots on. Two of the robots, one seated and one to the back at the center, have their internal workings revealed with their central torso panel removed, showing wires and indeterminate parts. 
Sir Eduardo Paolozzi (British (modern))
Watch out for miracles... new hope for better babies
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.50
This colorful print has a series of scenes in four quadrants with a yellow-orange frame. All of the images are blurred, likely because the color plates did not line up with the registration for this proof. In the top left, there is a image of soldiers leaning over next to a small statue made from the photograph "Raising the Flag on Iwo Jima." In the lower left, there is an image of a woman, smiling and holding flowers. In the top right, there are three images (top to bottom): circuit board, doubled image of the Mr. Peanut cartoon, and a partial American flag. In the lower right, there are two blurry images: the top image is abstracted and the bottom image shows two scientists working on what appears to be a space craft.
Sir Eduardo Paolozzi (British (modern))
Decency and Decorum in Production
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.25
This black and white photolithograph has a frame of white squares, halfed by a thin line and edged with thick black lines. Towards the top of the print, there are four panels. Each panel has a different abstract design of shapes patterned with grids, lines, and checkers. At the bottom of the print, there is another framed panel with rectangular shapes with differing-sized checkers.
Sir Eduardo Paolozzi (British (modern))
The ABC of Z
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.26
This monochromatic photolithograph has a large image on the lower portion of the page and text at the top. Below, the scene has a satyr writing a motorcycle at the center. He is chasing a nude woman off, who runs off the right side of the image. Above, the text reads, "HOW TO SPEND TIME IN HOLLYWOOD / ADD HOLYWOOD IDOCY: STUDIOS DOCK A 522 _ A _ WEEK WORKER WHO IS ILL, YET PAY AN AUTHOR $18,000 TO SIT AROUND AND KNIT A SCARF", etc.
Sir Eduardo Paolozzi (British (modern))
How to spend time in Hollywood
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.36
This vertically oriented print shows the cockpit of a car above, and early computers below. Between two of the computers sits a man with a chess board in front of him. Two other men look on, one having a speech balloon above his head which says "n<em>o puede ganar contra tres maquinas" or "</em>You can not win against three machines." Each machine has a speech balloon which says "Jaque."
Sir Eduardo Paolozzi (British (modern))
Brainiac 5 no puede ganar contra tres maquinas
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.38
On this horizontally oriented print, we see a majorette-like female marching and carrying a U.S. flag on the left. On the right are two columns of text. 
Sir Eduardo Paolozzi (British (modern))
The Puzzle of Female Pleasure
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.40
This print shows several stacked registers of chain links.
Sir Eduardo Paolozzi (British (modern))
More power to everybody
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.42
This colorful print is divided horizontally into three main sections. At the top, there are a series of horizontal bands, two with a red background and black and tan grids, respectively, and one with light and dark pink bands with rondels with colorful motifs inside. The center section is mostly pink with a dot-matrix of figures and partial figures, for example, a slice of pie, a child's face. Below this, a series of horizontal bands are overlayed with white, gridded boxes with colors in the voids. The last section at the base has a bright red background and an irregular black grid and text in black below, including the title of the print. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1967".
Sir Eduardo Paolozzi (British (modern))
Spontaneous Discrimination Non-Spontaneous Discrimination
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.5
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi (British (modern))
Horizon of Expectations
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3

David Hockney (British (modern))
Male Nude
1976
Gift of Herbert Barrows
2000/2.241
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