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Between and Mortarboard

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53 UMMA Objects
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Fritz Wotruba (Austrian)
Untitled
1970
Museum Purchase
1970/2.142

Alfred Kubin (Austrian)
Der Fang (The Catch), from Rauhnacht
1925
Museum Purchase
1968/2.14

Oskar Kokoschka (Austrian)
The Dog Argos Recognizes Ulysses (Plate 29 from The Odyssey)
1963 – 1965
Gift of Gilbert M. Frimet
1985/1.112
Image of a reclining nude female with black hair with her right arm covering her face.
Egon Schiele (Austrian)
Reclining Black-haired Female Nude, Right Arm Covering Face
1908
Gift of the Ernst Pulgram and Frances McSparran Collection
2018/2.3
A remake of the traditional Golgotha crucifixion scene. On the right is a horribly distended figure, hanging precariously from a cross that leans out toward the viewer. He represents the left thief, or, the bad thief. He looks out toward the viewer. At the bottom center is a hooded Mary figure, her face shielded from view. At the far left, another cross contains the regular, "sleeping" form of another crucified man, but without the distention of the first. On the ground between the two is the empty cross of Christ, marked by the INRI signed nailed into its top. Along the center of the image, in the background, a file of viewers move from right to left, one of whom carries a ladder. Clouds can be seen in the sky.
Alfred Kubin (Austrian)
The Left Thief (Der linke Schächer), preparatory drawing for "Golgotha" illustration in 20 Pictures of the Bible (20 Bilder zur Bibel), 1924
1924
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.100
This print depicts a desolate grey and brown seashore with waves hitting the shore from the left side of the sheet. Grey sky with grey and white clouds take up half of the sky. A black and grey castle with towers and spires is in the top right half.
Luigi Kasimir (Austrian)
Kronborg Slot
1919
Gift of Suzanne Kaplan Baker and Diane Kaplan Vinokur
2009/2.95
Print depicting the city of Paestum in Rome from the inside of a temple. The etching is in color, and the image was probably colored after the printing process was complete. The perspective is from the ground level, as if the viewer was standing inside the structure and looking towards the outside.
Luigi Kasimir (Austrian)
Paestum
1923
Gift of Suzanne Kaplan Baker and Diane Kaplan Vinokur
2009/2.97

Anton Lehmden (Austrian)
Roman Suite: Fountain (Plate XIII of XXI)
1960
Gift of Mr. and Mrs. Charles D. Clark
1969/2.8

Oskar Kokoschka (Austrian)
The Spirit of God came upon Saul (Der Geist Gottes kam über Saul),from Saul and
1966 – 1968
Gift of Mr. Gilbert M. Frimet
1985/2.114

Herbert Bayer (Austrian)
Corona
1900 – 1969
Museum Purchase
1969/1.117

Fritz Wotruba (Austrian)
Composition
1907 – 1975
Gift of the Marvin Felheim Collection
1983/1.232

Oskar Kokoschka (Austrian)
The Action Painter
1959
Gift of Gilbert M. Frimet
1983/1.89
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