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Results for artist:"Utagawa Kunisada"

150 UMMA Objects (page 1/13)
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The woman in this image stands in front of a long red bench.  She wears a colourful robe with a black top and tall sandals.  Her hair is elaborately decorated.  A flowering tree is visible behind her in front of the blue sky.<br />
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Inscriptions: Artist Signature: Kunisada ga; Publisher’s seal: Kyū ; Censor’s seal: kiwame; Kohina, Iwai Shijaku<br />
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This is the left panel of a triptych (the right panel, 2003/1.420.2).
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as Kohina (left half of a diptych with 2003/1.420.2)
1822 – 1844
Gift of Dr. James Hayes
2003/1.420.1

Utagawa Kunisada (Japanese (culture or style))
Iwai Tojaku as Yoemon's wife, Rui (maidservant, carrying a tray)
1832 – 1844
Gift of Dr. James Hayes
2003/1.422

Utagawa Kunisada (Japanese (culture or style))
Unidentified actor as the nursemade Kosakawa Tsuneyo (?)
1820 – 1830
Gift of Dr. James Hayes
2003/1.426

Utagawa Kunisada (Japanese (culture or style))
Iwai Tojaku as Sushiya no Osato, in a scene f rom Yoshitsune senbon zakura
1832 – 1844
Gift of Dr. James Hayes
2003/1.431
In this print, a woman stands next to a bamboo fence.  She wears a black robe with a grey sash.  A blue and white cloth covers her head.  Branches of a tree descend from the top of the print behind her.<br />
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Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: To, Yamaguchi han; Censor’s seal: Kiwame; Nyōbō Oroku, Iwai Shijaku
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as the wife, Oroku
1822 – 1844
Gift of Dr. James Hayes
2003/1.433

Utagawa Kunisada (Japanese (culture or style))
Iwai Kumesaburô [III] as Koman, in a boat, scattering tissues
1832 – 1844
Gift of Dr. James Hayes
2003/1.442

Utagawa Kunisada (Japanese (culture or style))
Nakamura Shikan in an dance role (with an octopus in a basket on her head) and an unidentified actor, carrying a scythe; from a Shôsagoto [dance drama]
early 1820s - early 1840s
Gift of Dr. James Hayes
2003/1.445
This is a print of a woman seated on the ground next to a fence.  She wears a purple robe patterned with white and pink flowers and a black sash.  Her hair is elaborately decorated with ribbons and pins.  A tree grows near the fence behind her.<br />
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Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: Kawagen (cut off); Censor’s seal: Kiwame (cut off); Tofuya Mibu (cut off) musume Omiya, Sawamura Tanosuke
Utagawa Kunisada (Japanese (culture or style))
Sawamura Tanosuke [II] as ... ya musume, Omiwa (?)
1808 – 1816
Gift of Dr. James Hayes
2003/1.458
A man and a woman gaze at eachother at the center of this print. The woman’s hair is decorated with large pins, and she wears an elegant blue robe with white flowers. She holds a koto on her lap and a writing brush in her right hand. On the back of the koto are the characters go dai riki. The man holds a pipe in his hand and sits with his back against her legs. He wears a black robe with white hatches.<br /><br />
Inscriptions: Geisha Koman; Satsuma Gengobei; Toyokuni ga (Artist's signature); To, Asakusa, Namiki, Daitora han (Publisher's seal); aratame, tatsu 6 (Censor's seal)<br />
 
Utagawa Kunisada (Japanese (culture or style))
New Satsuma Style Made to Order: Iwai Kumesaburō III as Geisha Koman and Kataoka Gadō II as Satsuma Gengobei
1856
Gift of Dr. James Hayes
2003/1.469

Utagawa Kunisada (Japanese (culture or style))
Unidentified actors as the brigand Ishikawa Goemon and the courtesan Gion no Oritsu
mid 1850s
Gift of Dr. James Hayes
2003/1.471
The man in the front wears a blue robe with brown stoles. He carries a red umbrella in both hands. Behind and above him are two men wearing blue stoles over black robes. Both men hold instruments.<br /><br />
This is a ccenter piece of a triptych (with 2003/1.473.1 and 2003/1.473.3).<br /><br />
Inscriptions: Magoemon; Toyokuni ga (Artist's siganture); hori take (Carver's seal); Kichi, Isekane (Publisher's seal); aratame, tora 9 (Censor's seals)<br />
 
Utagawa Kunisada (Japanese (culture or style))
First Snowfall on the Lovers' Journey to His Hometown: Bandō Kōsaburō IV as Magoemon
1854
Gift of Dr. James Hayes
2003/1.473.2
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