65 UMMA Objects
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This print consists of a series of horizontal bands that are made up of a variety of patterns, from grids to dots. The colors used are black, dark and light orange, yellow, pink, tan, white, blue, and red. At the base of the print, there is text in tan that reads: "The theory of relativity, may certainly be a true description of the facts concerned, even though the theory a theory which took such liberties fully, with the help of what is nothing but a host of metaphors taken from the languages of physics, of biology, and of social life, works out / their categorical structure, and only recasts what has formed concentric circles, surrounded by smaller orbs of the same space; then again a vertical band filled with horizontal strokes; and lastly, two vertical bands of concentric circles". The print is signed and numbered (l.r.) "Eduardo Paolozzi A.P 7".
Sir Eduardo Paolozzi (British (modern))
Theory of Relativity
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.9

Sir Eduardo Paolozzi (British (modern))
Drawing for a Relief
1947
Gitf of Professor Diane M. Kirkpatrick
2000/2.12
This colorful print has an all-over design of grids, checkers and boxes. The many colors in this print include: red, black, yellow, green, magenta, tan, blue, purple, and orange.
Sir Eduardo Paolozzi (British (modern))
Similar remarks apply to Uranium 235
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.18
The color photolithograph has a large bust of a male figure with long brown hair and a beard. The man is wearing a orange shirt with a blue shall. There is a halo in cream, red and green around the figure's head. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Jesus colour by numbers
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.28
This vertically oriented print shows a two color print in which the colors are out of register. There are three columns, the two outer columns are text and the inner column is images. 
Sir Eduardo Paolozzi (British (modern))
A single series, consisting of twenty choices
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.45
This print shows a truck with post-like things sticking out of the hood and a post attached to the roof. The color is off register. 
Sir Eduardo Paolozzi (British (modern))
The accident syndrome, the Genesis of injury
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.46

Sir Eduardo Paolozzi (British (modern))
Studies in human salvage
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.49
This color photolithograph is in shades of purple and blue and has an image of a woman's head. She is wearing an elaborate hat and glasses. The hat is a large sphere and is covered in stripes of colored sequins. The glasses also have colored sequins but in the shape of flowers.
Sir Eduardo Paolozzi (British (modern))
Cucumber Night Cream
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.27
Abstract sculpture vaguely representational of a bust-length head, the face of which appears to be constructed from strips of metal and parts from machines.
Sir Eduardo Paolozzi (British (modern))
Head
1957
The Winston/Malbin Collection (Dr. and Mrs. Barnett Malbin)
1979/2.10
Very colorful print with a series of colored bands, separated with black lines, at the top. Below the rainbow-colored bands are three fragmented images of the head of the Disney character Goofy, in teal, pink, yellow and white. The main portion of the print below has a series of differently organized and vibrantly colored grids and square patterns. At the base, there is an olive colored box, outlined in black, with black text reading: "Protocol-Sentences' the most adequate cosmological symbol centricity and radial arrangements organized, as a rule, according to quaternary point p a point would in turn give rise to yet more neutrons until a veritable avalanche developed: [mathematical equation] / [mathematical equation] .... The mathematical implications of the process are quite explicit. A pound of uranium contains some needs. With this desideratun [<em>sic</em>] in mind, transfers from one setttlement to another will be made on an exchange basis, or refers to "the nullity of forms" and other normalizing / fa
Sir Eduardo Paolozzi (British (modern))
Protocol-Sentences
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.4
Very colorful print with a series of panels, each with a different design. Some panels are just colorful patterns, while others have recognizable objects. At the top, there is a pink rondel with a photograph of a satellite over earth. Next to the rondel, there are five planes (three black and two white), alternating in direction. At the center of the image to the left, there is a panel with an image of a stuffed cat, clown, lemur, and bunny. At the bottom of the print, there is a series of cubes made up of tan grids that end, at the right, in a rainbow-colored bulls eye. Below this, there is text in black that reads, "SUN CITY. Normally An Kae Plaza, the official destination of the 30 - odd bar - brothels is a rollicking but strictly - policed mayhem. The garishly - painted bars, with their backroom "boom - boom emporiums" have been built on three sides of the concrete clock square. / Military police patrol the area checking passes and I.D. cards. Never ending vapour trails of giant cargo transports criss cro
Sir Eduardo Paolozzi (British (modern))
Sun City
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.7
This colorful print is divided horizontally into three main sections. At the top, there are a series of horizontal bands, two with a red background and black and tan grids, respectively, and one with light and dark pink bands with rondels with colorful motifs inside. The center section is mostly pink with a dot-matrix of figures and partial figures, for example, a slice of pie, a child's face. Below this, a series of horizontal bands are overlayed with white, gridded boxes with colors in the voids. The last section at the base has a bright red background and an irregular black grid and text in black below, including the title of the print. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1967".
Sir Eduardo Paolozzi (British (modern))
Spontaneous Discrimination Non-Spontaneous Discrimination
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.5
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