Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

Results for artist:"Mark Kostabi"

12 UMMA Objects (page 1/1)
Results Per Page Sort by


Mark Kostabi (American (North American))
Untitled (Consumerism)
1981 – 1991
Gift of Jack A. and Noreen Rounick
2004/2.101

Mark Kostabi (American (North American))
Untitled
1989
Gift of Jack A. and Noreen Rounick
2004/2.61
Line drawing in felt tip marker on ivory ~ 10x13” paper.
Mark Kostabi (American (North American))
Progress of Beauty 1
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.241

Mark Kostabi (American (North American))
Untitled, from "Close Calls"
1986
Gift of Jack A. and Noreen Rounick
2004/2.110.4

Mark Kostabi (American (North American))
Service
1981 – 1991
Gift of Jack A. and Noreen Rounick
2004/2.100

Mark Kostabi (American (North American))
My Soul
1984
Gift of Jack A. and Noreen Rounick
2004/2.109

Mark Kostabi (American (North American))
Untitled, from "Close Calls"
1986
Gift of Jack A. and Noreen Rounick
2004/2.110.1
This ink drawing on paper has a black wash ground, with two figures drawn in opaque black ink. On the right, a comic figure, in only boxers and a pointed hat, dances. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster on the ground. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, attached together with no cradle.  In the background, a headstone-shaped form silhouettes the dancing figure.<br /><br />
The drawing is signed and dated in ink (l.l.) "KOSTABI 1984".
Mark Kostabi (American (North American))
As Long as I Don't Have to Get Up Before 11:00
1984
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.240

Mark Kostabi (American (North American))
Untitled, from "Close Calls"
1986
Gift of Jack A. and Noreen Rounick
2004/2.110.2

Mark Kostabi (American (North American))
Untitled, from "Close Calls"
1986
Gift of Jack A. and Noreen Rounick
2004/2.110.3
Line drawing in felt tip marker on ivory ~ 10x13&rdquo; paper with shading. Woman&rsquo;s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman&rsquo;s head and shoulder covering and bodice, and cash register have been modeled in stylized &ldquo;half tone&rdquo; of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
Mark Kostabi (American (North American))
Progress of Beauty 2
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.238
Line drawing in felt tip marker on ivory ~ 10x13&rdquo; paper with shading. Woman&rsquo;s arm and dress and the cash register are partially filled in with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman&rsquo;s head and shoulder covering and bodice, and cash register have been modeled in stylized &ldquo;half tone&rdquo; of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears a &ldquo;pattern&rdquo; of crosses and eye-shaped forms. The map has been filled in with fingerprints.
Mark Kostabi (American (North American))
Progress of Beauty 3
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.239
Loading…