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Results for artist:"Luba"

26 UMMA Objects (page 1/3)
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This standing female <em>nkisi mihasi</em>, or “benevolent” power figure, has been carved in light wood and exhibits many of the typical traits associated with the Luba Shankadi style, and more specifically, with the Mwanza center of production. These features include its disproportionately large, ovoid face, half open coffeebean-like eyes, wide mouth with full lips, triangular nose, high, convex forehead, cascading coiffure, protruding umbilicus, and, diamond-shaped tattoos carved in relief on the belly and in horizontal lines on the lower back and upper thighs. The figure stands with slightly flexed knees and with its arms bent at the elbows such that its palms rest upon the breasts, a pose commonly seen throughout Luba figural depictions of women.
Luba (Luba (culture or style))
Power Figure
1875 – 1885
Gift of Candis and Helmut Stern
This set of bellows features an elegantly carved male head as a finial. Sitting atop a cylindrical neck that has been pierced with a metal ring, the polished male head features an ovoid face; a high forehead with a vertical line; scarified lines across the cheekbones; and, a coiffure with a finely, detailed pattern at the front and parted down the center.<br />
The man’s “torso” is a trapezoidal piece of wood while two long iron rods functioning as handles represent his “legs.” A pair of round chambers—one on each side of his torso—would originally have had leather bags attached to them, allowing for the pumping of air to heat a fire or forge.
Luba (Luba (culture or style))
1925 – 1935
Gift of Candis and Helmut Stern

Luba (Luba (culture or style))
1875 – 1900
Gift of Robert and Lillian Montalto Bohlen
With head.
Luba (Luba (culture or style))
Gift and partial purchase from the estate of Kurt Delbanco in honor of Nicholas Delbanco

Luba (Luba (culture or style))
Katanga Cross Currency
1920 – 1930
Museum Purchase made possible by the Friends of the Museum of Art
This zoomorphic Luba <em>nkisi mihake</em>, or “malevolent” power object, depicts a dog of a fierce and formidable character. Sculpted out of wood, the dog has been carefully covered in animal fur, creating a graphic mimetic effect. The dog’s tail stands nearly upright, signaling a commanding and attentive posture. Most striking, however, are the antelope horns, stuffed with medicinal substances, as well as the metal blades that have been affixed throughout the dog’s trunk and underbelly.
Luba (Luba (culture or style))
Power Figure
1925 – 1935
Gift of Candis and Helmut Stern

Luba (Luba (culture or style))
1900 – 1932
Gift of Dr. James and Vivian Curtis
With a human head finial and fine patina.
Luba (Luba (culture or style))
Gift and partial purchase from the estate of Kurt Delbanco in honor of Nicholas Delbanco
With a head.
Luba (Luba (culture or style))
Gift and partial purchase from the estate of Kurt Delbanco in honor of Nicholas Delbanco
A conical stopper, topped by an anthropomorphic representation of a female head with elaborate coiffure. 
Luba (Luba (culture or style))
1895 – 1905
Museum purchase made possible by the Betty J. Lockett Memorial Fund

Luba (Luba (culture or style))
Carved Wood Figure
1945 – 1955
Given in memory of Sidney H. Roberts
As one of a pair of delicately carved, ivory statuette-pendants, this female figure stands upright, as opposed to her counterpart whose head and upper body lean slightly forward. Both, however, have a round head with a convex face; large, coffeebean-shaped eyes; a rectangular mouth with prominent lips; a cylindrical neck; and, a coiffure decorated on the back with a cruciform pattern. Additionally, both female figures clutch their breasts in their hands. The statuettes have been pierced through, allowing them to suspend from a string.
Luba (Luba (culture or style))
Power Figure
1845 – 1855
Gift of Candis and Helmut Stern
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