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Results for artist:"Kiln Unknown, Vietnam"

17 UMMA Objects (page 1/2)
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A small, stoneware jar of squat proportions, with a narrow, upright neck and a short, cylindricrical foot. The jar is decorated with loosely drawn floral patterns in cobalt blue underneath an overalll whitish glaze.
Kiln Unknown, Vietnam
Blue-and-white miniature jar with stylized floral design
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.18
A small, stoneware jar of squat proportions, with a narrow, upright neck and a short, cylindricrical foot. The jar is decorated with loosely drawn floral patterns in cobalt blue underneath an overalll whitish glaze.<br />This jar makes an interesting contrast to 2002/2.18, which has a very similar design in a crisp, dark blue; the faded, smudged blue here may be a result of less than ideal conditions in the kiln.
Kiln Unknown, Vietnam
Blue-and-white miniature jar with stylized floral design
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.19
A small, flat-bottomed stoneware jar, with nearly straight sides flaring out to shoulders only slightly broader than the base, and narrowing to a short neck with an everted rim. The decoration consists of broad horizontal bands of cobalt blue pigment at the base, on the shoulder, and at the neck. The overall glaze, normally a whitish color, is a light brown here, possibly because of less than ideal conditions in the kiln.
Kiln Unknown, Vietnam
Blue-and-white storage jar
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.21
A round ceramic box (that is, a bowl with a fitted lid), decorated with chrysanthemum scrolls drawn in blue outline against a blue background. The blue is cobalt pigment painted before the application of a clear glaze.
Kiln Unknown, Vietnam
Blue-and-white covered box with chrysanthemum design
15th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/2.60A&B
A small jar of squat proportions with short, vertical neck and a pale yellow, crackled glaze. This jar is very similar to 2002/2.23, also in UMMA collections.
Kiln Unknown, Vietnam
Jarlet with squat ovoid shape
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.20
A small jar of squat proportions with short, vertical neck and a pale yellow, crackled glaze. This jar is very similar to 2002/2.20, also in UMMA collections.
Kiln Unknown, Vietnam
Jarlet with squat ovoid shape
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.23
A finely potted deep stoneware beaker with a rounded bottom and a mottled, dark green glaze. The attractive glaze effect is achieved by applying small dots of a wax over the entire surface of the vessel, and then pouring the glaze from the top down. Unglazed ring interior is the result from a clay ring to separate one pot from another in firing.
Annam;Kiln Unknown, Vietnam
Beaker with mottled green drip glaze
16th century
Gift of Helmut Stern
1991/1.96
A rounded bowl, its lower two-thirds carved as a lotus blossom centered on the foot of the bowl, with two bands of double incised lines around the rim area. The pale yellow-brown glaze is worn in some areas. Five spur marks inside.
Annam;Kiln Unknown, Vietnam
Bowl with carved lotus petals design
16th century
Gift of Helmut Stern
1991/1.97
A small container made by inverting a wheel-thrown jar with a rounded bottom, cutting out a circle in the new 'shoulder' of the jar, and attaching a flat bottom. The handle, which is simply attached at both ends, takes the form of an areca fruit. The vessel as a whole has a pale straw-colored glaze, with a rich green iron glaze dripped over the handle and the upper part of the pot.
Annam;Kiln Unknown, Vietnam
Lime pot with a handle in the shape of areca fruit
16th century
Gift of Helmut Stern
1991/1.99
A small, slightly squat, globular stoneware jar, resting on a broad and short foot, with a short, narrow neck rising to hold a slightly domed lid. There are three small lug handles at the shoulder, allowing the jar to be carried by a cord. The jar is decorated with three horizontal zones of decoration, either floral or abstract designs drawn freehand in cobalt blue pigment before a translucent glaze was applied to the entire vessel.
Kiln Unknown, Vietnam
Blue-and-white small lidded jar with three lug handles
16th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.20.1-2
A stoneware ceramic box, with a rounded bowl and a nearly flat lid, decorated with a free-hand drawn landscape in underglaze cobalt blue on the lid, and then coated in a whitish glaze overall.
Kiln Unknown, Vietnam
Blue-and-white covered box with landscape scene on lid
16th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.22.1-2
A very small jar with a globular body, raised on a continuous foot with a wide mouth with a slighly rolled rim. There are two small lug handles right at the rim of the mouth. The clay is a warm red, suggesting that the jar is of earthenware rather than stoneware, with a white glaze that covers all but the lower part of the jar.
Kiln Unknown, Vietnam
Jar with two lug handles at neck
1200 – 1499
Gift of the William T. and Dora G. Hunter Collection
2002/2.22
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