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Results for additional_classification:"Ritual Object"

77 UMMA Objects (page 1/7)
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Chinese (Chinese (culture or style))
Handle with 'leaf' pattern
8973 BCE
Museum purchase from the collection of Max Loehr
1960/2.114
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br />
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The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175
It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187
Flaring base with spherical food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating design.<br />
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This is a grayish white, high-fired stoneware lidded stem cup. The lid features a button-shaped knob at the center, around which a thin circle is inscribed. Triangular line designs are contained within the circle, which is surrounded by a row of semicircles with dots inside. The single-tiered, perforated, trumpetshaped pedestal has three rectangular openings. The pedestal flares widely outwards towards its bottom, which has a horizontally spreading edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 62]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.189A&B
It has a flat base, globular body and straight neck. Two narrow ridges encircle the body and a ridge encircles between the body and neck. The attached handle is a little small and get twisted.<br />
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This is a dark gray, low-fired stoneware cup with a handle. The almost-upright mouth gently inclines inwards, and the rim has a narrow, slightly rounded edge. Separated from the mouth by a horizontal ridge, the body is widest at its upper-central part. Two horizontal ridges encircle the body of the cup where the body is at its widest. The lower part of the body has been pared twice at different angles during rotation.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 70]</p>
Korean (Korean (culture or style))
Large cup with globular body, cylindrical neck and twisted-vine handle
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.192

Chinese (Chinese (culture or style))
Buddha, seated, from Tongguan, with mandorla
4th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/1.90

Japanese (Japanese (culture or style))
Vairocana Buddha (J. Dainichi Nyorai)
17th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
2003/2.59.4
A tiny tear-drop-shaped metal (copper?) pendant, edged with beading, serving as support for a minature seated image of a Dhyani Buddha, made of inlaid semi-precious stones and copper wire.  This may have originally been part of a necklace or tiara, or part of a brooch for a high-ranking monk's ritual costume.
Miniature Dhyani Buddha
1800 – 1932
Gift of Ellen and Richard Laing
2006/2.63

Chinese (Chinese (culture or style))
Adze
8973 BCE
Museum purchase from the collection of Max Loehr
1960/2.104
This relatively flat bowl with slightly inward-flaring upright mouth has a protuberant rim to support the lid. The long and astragal-shaped foot is divided into two section, each bearing three square openworks at parallel position. The tip of the foot is long and slightly everted.<br />
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This is a dark gray, high-fired stoneware lidded stem cup. There is knob atop of the lid, around which are a diagonal lines of dots. Below is also the same diagonal dotted lines but in an opposite direction. The cup is relatively shallow and partially dark brown in color. The pedestal is divided into upper and lower sections by a central raised band formed by two shallow incised horizontal lines. Three rectangular perforations in the upper section are vertically aligned with those of the lower section.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p.&nbsp;60]</p>
Korean (Korean (culture or style))
Footed Shallow Bowl
450 – 499
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.165A&B
This grayish-blue stoneware jar has a globular body, round base and straight elongated neck. A little wide single ridges encircle the middle of the neck, dividing it into three sections, each engraved with a wave pattern. The base has two ridges encircled on the below part and triangular holes.<br />
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This vessel was fired as a long-necked jar attached to the top of a bowl-shaped pedestal. The surfaces of the jar and pedestal display traces of natural glaze that was formed on the surface or flowed downwards. The long and slightly splayed neck of the jar is divided into three sections by raised bands, while each section is decorated with wave designs. The bowlshaped pedestal has a very shallow bowl section and a grooved edge. The pedestal has a flared profile and features triangular perforations in five places. Two raised bands surround the area below the perforations.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 56]</p>
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Korean (Korean (culture or style))
Round-bottomed jar with cover, fused to low ceremonial stand
400 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.167A&B
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