77 UMMA Objects
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Flaring base with spherical food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating design.<br />
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This is a grayish white, high-fired stoneware lidded stem cup. The lid features a button-shaped knob at the center, around which a thin circle is inscribed. Triangular line designs are contained within the circle, which is surrounded by a row of semicircles with dots inside. The single-tiered, perforated, trumpetshaped pedestal has three rectangular openings. The pedestal flares widely outwards towards its bottom, which has a horizontally spreading edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 62]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.189A&B
It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187
It has a flat base, globular body and straight neck. Two narrow ridges encircle the body and a ridge encircles between the body and neck. The attached handle is a little small and get twisted.<br />
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This is a dark gray, low-fired stoneware cup with a handle. The almost-upright mouth gently inclines inwards, and the rim has a narrow, slightly rounded edge. Separated from the mouth by a horizontal ridge, the body is widest at its upper-central part. Two horizontal ridges encircle the body of the cup where the body is at its widest. The lower part of the body has been pared twice at different angles during rotation.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 70]</p>
Korean (Korean (culture or style))
Large cup with globular body, cylindrical neck and twisted-vine handle
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.192
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br />
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The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175

Chinese (Chinese (culture or style))
Handle with 'leaf' pattern
8973 BCE
Museum purchase from the collection of Max Loehr
1960/2.114
This grayish-blue stoneware jar has a globular body, round base and straight elongated neck. A little wide single ridges encircle the middle of the neck, dividing it into three sections, each engraved with a wave pattern. The base has two ridges encircled on the below part and triangular holes.<br />
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This vessel was fired as a long-necked jar attached to the top of a bowl-shaped pedestal. The surfaces of the jar and pedestal display traces of natural glaze that was formed on the surface or flowed downwards. The long and slightly splayed neck of the jar is divided into three sections by raised bands, while each section is decorated with wave designs. The bowlshaped pedestal has a very shallow bowl section and a grooved edge. The pedestal has a flared profile and features triangular perforations in five places. Two raised bands surround the area below the perforations.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 56]</p>
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Korean (Korean (culture or style))
Round-bottomed jar with cover, fused to low ceremonial stand
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.167A&B
This relatively flat bowl with slightly inward-flaring upright mouth has a protuberant rim to support the lid. The long and astragal-shaped foot is divided into two section, each bearing three square openworks at parallel position. The tip of the foot is long and slightly everted.<br />
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This is a dark gray, high-fired stoneware lidded stem cup. There is knob atop of the lid, around which are a diagonal lines of dots. Below is also the same diagonal dotted lines but in an opposite direction. The cup is relatively shallow and partially dark brown in color. The pedestal is divided into upper and lower sections by a central raised band formed by two shallow incised horizontal lines. Three rectangular perforations in the upper section are vertically aligned with those of the lower section.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p.&nbsp;60]</p>
Korean (Korean (culture or style))
Footed Shallow Bowl
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.165A&B
The convex lid has on its top a long knob which has three square perforations. The lid is decorated with vertical rows of gouged dots. The dish with a slightly inward-flaring and upright mouth is rather flat. The long and astragal-shaped foot is divided into two sections, each bearing three trapezoid perforations at alternating positions and decorated with wave design.<br />
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This is a grayish black, high-fired stoneware lidded stem cup. A thin incised line encircles the upper surface of the lid, above and below which are vertical rows of dots. The cup&rsquo;s flange slopes inward, while the gallery that holds the lid in place is very short. The lip of the lid that covers the cup flange is relatively long and has a grooved edge. The cup has a long, trumpet-shaped stem and two tiers of perforations. The stem splays in a straight line and is divided into two sections by bands. The upper section is perforated by three openings, while the lower section is perforated by three rectangular openings alternate
Korean (Korean (culture or style))
Pedestal Bowl with Cover
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.168A&B
Spherical stoneware jar with an elongated neck and wide flaring mouth. Two indented bands stretch across the base of the neck and repeat halfway up the neck as it flares outward.<br />
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This is a dark grayish brown, long-necked, high-fired stoneware jar with a wide mouth. Its neck splays diagonally upwards before spreading horizontally just below the mouth and flaring out upwards once again. Two wide, shallow lines forming a raised band mark the boundary where the neck and body meet. A similar type of raised band surrounds the upper-middle part of the neck. The body is widest at its middle part. Its outer surface shows faint traces of having been rendered with a paddled pattern, as well as water smoothing marks in a lateral direction. The base is round and contains clear traces of rotation and water smoothing. The inner surface of the neck shows irregular and rough traces of the supporting anvil (used during the paddling process) in a vertical direction, as well as rotation and water smoothing marks.
Korean (Korean (culture or style))
Round-Bottomed Jar with Wide Flared Mouth
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.183
This light grayish-blue stoneware jar consists of a globular body, short straight mouth and a little high flared pedestal foot. The body is decorated with two incised line and combed wave design. The foot whose bottom is rolled outward is a little high.<br />
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This is a dark-gray, short-necked, high-fired stoneware jar with a pedestal. The neck is slightly splayed and then curves inwards towards a slightly blunt rim. Two sharp horizontal ridges mark the areas, respectively, where the vessel mouth and neck, and the neck and shoulder meet. The body is widest at its center. A set of two incised horizontal lines runs around the upper part of the body creating a wide raised band. The same technique was used to form two wide raised bands along the lower part of the body. A slightly crude wave design has been incised on the surface in between the upper and lower bands, as well as above the upper band. The pedestal is widely splayed, features four rectangular perforations, and has a round, thick edge.
<p>[Ko
Korean (Korean (culture or style))
Round storage jar on cut-out pedestal foot
300 – 499
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.186
Tall hourglass-shaped stand. Composed of three separate parts: two bowls and a connecting cylinder. The pieces are unified with appliqu&eacute;d bands encircling the cylinder horizontally as well as evenly spaced cut-out shapes of rectangles and triangles leading up the stand vertically in lines.<br />
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This is a dark grayish brown, cylindrical, high-fired stoneware vessel stand. Parts of the bowl-shaped section have a yellowish brown tint. The walls of the vessel are relatively thick and have a coarse texture. The upper part of the neck has a flared profile, but its rim slopes inwards. The cylindrical neck is divided into three sections by thick double raised bands. In each section of the neck are rectangular perforations that are vertically aligned with those of the other sections. The bell-shaped pedestal is divided into three sections by thin raised bands and has perforations vertically aligned with those of the cylindrical neck. Only the perforations of the uppermost section of the pedestal are t
Korean (Korean (culture or style))
Tall Ceremonial Stand for Jar
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.178
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