883 UMMA Objects
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Douglas Frank
Ecola Rock
Museum Purchase made possible by the Marvin Felheim Memorial Fund
A stream enters the composition from the lower left and cuts through a hilly landscape dotted with shrubs and stone debris. A bearded man in a striped garment and light-colored turban sits on a rock with his feet in the stream just right of center.  
Felix Bonfils (French (culture or style))
Fontaine d'Elisée - Elisa's fountain
1867 – 1879
Gift of Mr. and Mrs. W. Howard Bond

R. Pereira
Boat Landing Place, Tanga (now Tanzania)
1895 – 1905
Gift of Mr. and Mrs. W. Howard Bond
The painting depicts three houses in a small village, surrounded by trees. There is a lake in the right-hand foreground of the painting. The artist signed his name with the seal of his pen name, Lao Pai (Pai the old man) on the upper left-hand corner.
Qi Baishi
Rural Village
1925 – 1935
Gift of Katsuizumi Sotokichi
This hanging scroll depicts two carp among waves using light ink washes. It demonstrates the Kanō painters' interest in naturalistic depiction of flowers, birds and animals.
Kanō School
Two carp among waves
17th century
Bequest of Margaret Watson Parker

Richard Babcock
Join the Navy, the Service for Fighting Men
1912 – 1922
Gift of Mr. Maurice F. Lyons
Text: "The Sword is Drawn The Navy Upholds It!" - U.S. Navy Recruiting Station - 115 Flatbush Avenue Brooklyn - (scroll text) We Can Do No Otherwise
Kenyon Cox
The Sword is Drawn, the Navy Upholds it!
1917 – 1919
Gift of Mr. Maurice F. Lyons

Sir Frank William Brangwyn
Help Your Country Stop This - Enlist in the Navy
1912 – 1922
Gift of Mr. Maurice F. Lyons

Wang Jian (Chinese (culture or style))
Landscape, Lakes and Mountains to the Farthest Distance
Gift of Mr. Chung Mo-nan

Alfred Pettitt (British (modern))
Brothers, Water A.P.
1860 – 1870
Gift of Mr. and Mrs. W. Howard Bond

Edward Potthast
Young Birches
1890 – 1927
Gift of Mr. Gilbert M. Frimet
There are three ducks in the water. The first is facing forward and is sitting in the water with its feet completely submerged. The second is behind the first but is a little higher in the water and is pecking at its feathers. The third is the furthest behind and is standing in the water with its legs fully visible but its feet submerged, it is also pecking at its feathers. There are two signatures and two seals on the right side of the painting.
Nishiyama Kan'ei
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund